Black Author wins The Matrix Copyright Infringement Case

his little known story has met a just conclusion, as Sophia Stewart, African American author of The Matrix will finally receive her just due from the copyright infringement of her original work!!!


A six-year dispute has ended involving Sophia Stewart, the Wachowski Brothers, Joel Silver and Warner Brothers. Stewart's allegations, involving copyright infringement and racketeering, were received and acknowledged by the Central District of California, Judge Margaret Morrow presiding.

Stewart, a New Yorker who has resided in Salt Lake City for the past five years, will recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. She will soon receive one of the biggest payoffs in the history of Hollywood , as the gross receipts of both films and their sequels total over 2.5 billion dollars.

Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, 'The Third Eye,' copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi works..

According to court documentation, an FBI investigation discovered that more than thirty minutes had been edited from the original film, in an attempt to avoid penalties for copyright infringement. The investigation also stated that 'credible witnesses employed at Warner Brothers came forward, claiming that the executives and lawyers had full knowledge that the work in question did not belong to the Wachowski Brothers.' These witnesses claimed to have seen Stewart's original work and that it had been 'often used during preparation of the motion pictures.' The defendants tried, on several occasions, to have Stewart's case dismissed, without success.

Stewart has confronted skepticism on all sides, much of which comes from Matrix fans, who are strangely loyal to the Wachowski Brothers. One on-line forum, entitled Matrix Explained has an entire section devoted to Stewart. Some who have researched her history and writings are open to her story.

Others are suspicious and mocking. 'It doesn't bother me,' said Stewart in a phone interview last week, 'I always knew what was true.'
Some fans, are unaware of the case or they question its legitimacy, due to the fact that it has received little to no media coverage. Though the case was not made public until October of 2003, Stewart has her own explanation, as quoted at aghettotymz.com

:
'The reason you have not seen any of this in the media is because Warner Brothers parent company is AOL-Time Warner.... this GIANT owns 95 percent of the media... let me give you a clue as to what they own in the media business... New York Times papers/magazines, LA Times papers/magazines, People Magazine, CNN news, Extra, Celebrity Justice, Entertainment Tonight, HBO, New Line Cinema, DreamWorks, Newsweek, Village Roadshow and many, many more! They are not going to report on themselves. They have been suppressing my case for years.'
Fans who have taken Stewart's allegations seriously, have found eerie mythological parallels, which seem significant in a case that revolves around the highly metaphorical and symbolic Matrix series. Sophia, the Greek goddess of wisdom has been referenced many times in speculation about Stewart. In one book about the Goddess Sophia, it reads, 'The black goddess is the mistress of web creation spun in her divine matrix.'

Although there have been outside implications as to racial injustice (Stewart is African American), she does not feel that this is the case. 'This is all about the Benjamins,' said Stewart. 'It's not about money with me. It's about justice.' Stewart's future plans involve a record label, entitled Popsilk Records, and a motion picture production company, All Eyez On Me, in reference to God. 'I wrote The Third Eye to wake people up, to remind them why God put them here. There's more to life than money,' said Stewart. 'My whole to the world is about God and good and about choice, about spirituality over 'technocracy'.' If Stewart represents spirituality, then she truly has prevailed over the 'technocracy' represented in both the Terminator and the Matrix, and now, ironically, by their supposed creators.

Stewart is currently having discussions with CBS about a possible exclusive story and has several media engagements in the near future to nationally publicize her victory. June 13th 2004. Sophia Stewart's press release read: 'The Matrix & Terminator movie franchises have made world history and have ultimately changed the way people view movies and how Hollywood does business, yet the real truth about the creator and creation of these films continue to elude the masses because the hidden secret of the matter is that these films were created and written by a Black woman...a Black woman named Sophia Stewart. But Hollywood does not want you to know this fact simply because it would change history. Also it would encourage our Black children to realize a dream and that is...nothing is impossible for them to achieve!'
Greg Thomas, Editor

Intense Chakra Therepy Sessions and notes

Procedures of healing for patient:

Procedure 1 Steps [Duration wk 1 & 2]: {Daily - 30 minutes x 2 times}
=====================================
1. Draw energy from root chakra and bring up to the crown and back down in cycles. Mix the energies of all the chakras.
2. From the Ren 1 acupoint, bring energy up the Ren meridian. From the Du 1 acupoint, bring energy up the Du meridian.
3. As energy is brought up their respective meridian, make sure to gather as much energy from the Ren and Du meridian like a snow ball.
4. Bring the energy gathered from Ren and Du meridian to the crown chakra and let the crown chakra do it's work.

what really happens - after being told it would require intense concentration and energy I decided that since the chakras were in bad condition any way that I would, for the next two wks infuse the chakras with the vibrational and color needed to properly maintain them. Then I would choose particular 'songs' in sanskrit. As follows




This is a mantra for brahma
om prajapate na tvad etany anyo
visva jatani parita babhuva
yat kamas te juhumas tan no astu
vayam syama patayo rayinam

Seed letters (on the petals): Vam, Sham, Ssam, Sam

Bija Mantra: Lam




Shree Vinshu Mantra


SHAANTAAKAARAM
BHUJAGASHAYANAM
PADMANAABHAM SURESHAM
VISHWAADHAARAM
GAGANASADRASHAM
MEGHAVARNAM SHUBHAANGAM
LAKSHMIKAANTAM
KAMALANAYANAM
YOGIBHIRDHYAANAGAMYAM
VANDE VISHNUM
BHAVABHAYAHARAM
SARVALOKAIKANAATHAM

Seed Letters : (on the petals) Bang, Bhang, Mang, Yang, Rang, Lang

Bija Mantra: Vam




Natarj, Nataraja, jai shiva shankara nataraja

Seed Letters: (on the petals right to left) dang, dhang, nang, tang, thang, dang, dhang, nang, pang, phang

Bija Mantra: Ram



Om Tryamlakam Yajamahe
Sugandhim Pusti - vardhanam |
Urva - rukamiva Bandhanan
Mrtyor - muksheeya Ma - amritat ||

Seed Letters: (right to left) Kang, khang, gang, ghang, nang, chang, chang, jang, jhang, nang, tang, thang

Bija Mantra: Yang



Guru Mantra

GURUR BRAHMA,
GURUR VISHNU,
GURUR DEVO MAHESHWARAH
GURUR SAAKSHAAT PARA-BRAHMA,
TASMAI SHRI GURUVE NAMAH.

Seed Letters: am, aam, im, eem, um ,oom, rim, rdim, lim, llim, ehm, aim, ohm, aum, ang, ahang.

Bjia Mantra: Ham



Mantra:
Prapanca srsty unmukha lasyakayai
Samasta samharaka tandavaya
Jagaj jananyai jagad eka pitre
Nama sivayai ca namah sivaya

Seed Letters: (on the petals) hang. Kshang

Bija Mantra: Sham





The next part was spacifically for raising/storing potent and powerful energies - pluse I say these every day anyway.

Lotus of Light -
Vam, Sham, Ssam, Sam
Bang, Bhang, Mang, Yang, Rang, Lang
dang, dhang, nang, tang, thang, dang, dhang, nang, pang, phang
Kang, khang, gang, ghang, nang, chang, chang, jang, jhang, nang, tang, thang
am, aam, im, eem, um ,oom, rim, rdim, lim, llim, ehm, aim, ohm, aum, ang, ahang.
hang. Kshang

adi shakti -
adi shakti adi shaki adi shakti
namo namo srvah shakti srvah shakti namo namo
prytam bhagvati prytam bhagvati prytam bhavati namo namo
kundalini matun shakti matun shakti namo namo

gayatre
Om bhuvbuhva swaha tatsavitur vardanyum
bhargo divasya demihi dyoyo na pratchodyat

shante prashante
shati preshante sarvabhya
um prashamani swaha shatin prashanti

shiva thandava stotram
Jatatavigalajjala pravahapavitasthale
Galeavalambya lambitam bhujangatungamalikam
Damad damad damaddama ninadavadamarvayam
Chakara chandtandavam tanotu nah shivah shivam .. 1

Jatakatahasambhrama bhramanilimpanirjhari
Vilolavichivalara ivirajamanamurdhani
Dhagadhagadhagajjva lalalatapattapavake
Kishorachandrashekhare ratih pratikshanam mama .. 2

Dharadharendrana ndinivilasabandhubandhura
Sphuradigantasantati pramodamanamanase
Krupakatakshadhorani nirudhadurdharapadi
Kvachidigambare manovinodametuvastuni .. 3

Jatabhujangapingala sphuratphanamaniprabha
Kadambakunkumadrava praliptadigvadhumukhe
Madandhasindhurasphura tvagutariyamedure
Mano vinodamadbhutam bibhartu bhutabhartari .. 4

Sahasralochanaprabhritya sheshalekhashekhara
Prasunadhulidhorani vidhusaranghripithabhuh
Bhujangarajamalaya nibaddhajatajutaka
Shriyai chiraya jayatam chakorabandhushekharah .. 5

Lalatachatvarajvala dhanajnjayasphulingabha
Nipitapajnchasayakam namannilimpanayakam
Sudhamayukhalekhaya virajamanashekharam
Mahakapalisampade shirojatalamastunah .. 6

Karalabhalapattika dhagaddhagaddhagajjvala
Ddhanajnjaya hutikruta prachandapajnchasayake
Dharadharendranandini kuchagrachitrapatraka
Prakalpanaikashilpini trilochane ratirmama .. 7

Navinameghamandali niruddhadurdharasphurat
Kuhunishithinitamah prabandhabaddhakandharah
Nilimpanirjharidharastanotu kruttisindhurah
Kalanidhanabandhurah shriyam jagaddhurandharah .. 8

Praphullanilapan kajaprapajnchakalimaprabha
Valambikanthakandali ruchiprabaddhakandharam
Smarachchidam purachchhidam bhavachchidam makhachchidam
Gajachchidandhakachidam tamamtakachchidam bhaje .. 9

Akharvagarvasarvamangala kalakadambamajnjari
Rasapravahamadhuri vijrumbhanamadhuvratam
Smarantakam purantakam bhavantakam makhantakam
Gajantakandhakantakam tamantakantakam bhaje .. 10

Jayatvadabhravibhrama bhramadbhujangamashvasa
Dvinirgamatkramasphurat karalabhalahavyavat
Dhimid dhimid dhimidhvanan mrudangatungamangala
Dhvanikramapravartita prachandatandavah shivah .. 11

Drushadvichitratalpayor bhujangamauktikasrajor
Garishtharatnaloshthayoh suhrudvipakshapakshayoh
Trushnaravindachakshushoh prajamahimahendrayoh
Samapravrutikahsamam pravartayanmanahkada sadashivam bhaje .. 12

Kada nilimpanirjharinikujnjakotare vasanh
Vimuktadurmatih sada shirah sthamajnjalim vahanh
Vimuktalolalochano lalamabhalalagnakah
Shiveti mantramuchcharan sada sukhi bhavamyaham .. 13

Idam hi nityamevamuktamuttamottamam stavam
Pathansmaranbruvannaro vishuddhimetisantatam
Hare gurau subhaktimashu yati nanyatha gatim
Vimohanam hi dehinam sushankarasya chintanam .. 14

Phalastuti

Pujavasanasamaye dashavaktragitam
Yah shambhupujanaparam pathati pradoshhe
Tasya sthiram rathagajendraturangayuktam
Lakshmim sadaiva sumukhim pradadati shambhuh .. 15

venkatesa stotrum
1. Kamalakucha choochuka kunkumatho
Niyatharunithathula neelathano
Kamalayatha lochana lokapathe
Vijayeebhava Venkatasaila pathe


2. Sachadhurmukha shanmukha panchamukha
Pram ukakhila daivatha mouli mane
Saranagatha vathsala saranidhe
Paripalayamam vrishasailapathe

3. Athivelathaya thava durvishahai
Ranuvela Kruthairaparada sathai:
Paritham thvaritham vrishasailapathe
Paraya krupaya paripahi Hare


4. Adhivenkata saila mudaramather
Janathabimathadhika danarathath Paradevathaya gathithannigamai:
Kamaladayithtanna param kalaye

5. Kalavenuravavasa gopa vadhu
Sathakoti vrithath smarakoti samath
Prathivalla vikabhimathath sukhadhath
Vasudeva suthanna paramkalaye


6. Abhirama gunakara dasarathe
Jagadeka danurdhara dheeramathe
Raghunayaka Rama Ramesa vibho
Varadho bhava deva daya jaladhe

7. Avaneethanaya kamaneeyakaram
Rajaneechara charu mukhamburuham
Rajaneechara raja thamo mihiram
Mahaneeyamaham Raghuramamay

8. Sumukham Suhrudam Sulabham sukhadam
Swanujam cha Sukhayamamogha—
Saram Apahaya Raghudwaha manyamaham
Na kathnchana kanchana jathu bhaje

9. Vinaa Venkatesam nanatho nanatha:
Sadaa Venkatesam smarami smarami
Hare Venkatesa Praseeda Praseeda
Priyam Venkatesa Prayachha Prayachha

10. Aham doorathasthe padamboja yugma
Pranamechaya gathya sevam karomi
Sakruthsevaya nithyasevapalam thvam
Prayachha prayachha prabho Venkatesa

11. Agnanina maya doshaanaseshan vihithan Hare
Kshamasvathm kshamasvathvam
Seshasailasikhaman

Aarti Devichi
Durge Durghatbhari Tujvin Sansari |
Anath Nathe Ambe Karuna Vistari ||
Vari Vari Janma Marnache Vari |
Haari Padalo Aata Sankat Nivari ||
Jai Devi Jai Devi Jai Mahishasur Mardini |
Survar IshwarWarDe Taarak Sanjeewani ||
Tribhuvan Bhuvane Pahata Tuj Aise Nahi |
Charhi Shramlo Parantu Na Bolve Kahi ||
Sahi Vivad Ghadala Padalo Pravahi |
Tetu Bhakta Lage Pavashi Lavalahi ||
Jai...||
Prasanna Vadane Prasanna Hoshi Nij Dasa |
Klesha Pasuni Sodavi Todavi Bhavpasha ||
Ambe Tuj Vachun Kon Purvil Asha |
Narhar Talleen Jhale Padpankaj Lesha ||
Jai...||

Mahisasura mardini stotram
Ayi giri nandini, nandhitha medhini,
Viswa vinodhini nandanuthe,
Girivara vindhya sirodhi nivasini,
Vishnu Vilasini Jishnu nuthe,
Bhagawathi hey sithi kanda kudumbini,
Bhoori kudumbini bhoori kruthe,

Jaya Jaya Mahishasura mardini,
Ramya kapardini, shaila Suthe.
1
Suravara varshini, durdara darshini,
Durmukhamarshani, harsha rathe,
Tribhuvana poshini, Sankara thoshini,
Kilbisisha moshini, ghosha rathe,
Danuja niroshini, Dithisutha roshini,
Durmatha soshini, Sindhu suthe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 2

Ayi Jagadambha Madambha , Kadambha,
Vana priya vasini, Hasarathe,
Shikhari siromani, thunga Himalaya,
Srunga nijalaya, madhyagathe,
Madhu Madure, Mdhukaitabha banjini,
Kaitabha banjini, rasa rathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 3

Ayi satha kanda, vikanditha runda,
Vithunditha shunda, Gajathipathe,
Ripu Gaja ganda , Vidhaarana chanda,
Paraakrama shunda, mrugathipathe,
Nija bhuja danda nipaathitha khanda,
Vipaathitha munda, bhatathipathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 4

Ayi rana durmathaShathru vadhothitha,
Durdhara nirjjara, shakthi bruthe,
Chathura vicharadureena maha shiva,
Duthatkrutha pramadhipathe,
Duritha Dureeha, dhurasaya durmathi,
Dhanava dhutha kruithaanthamathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 5

Ayi saranagatha vairi vadhuvara,
Veera varaa bhaya dhayakare,
Tribhuvana masthaka soola virodhi,
Sirodhi krithamala shoolakare,
Dimidmi thaamara dundubinadha mahaa
Mukharikruthatigmakare,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 6

Ayi nija huum kruthimathra niraakrutha,
Dhoomra vilochana Dhoomra sathe,
Samara vishoshitha sonitha bheeja,
Samudhbhava sonitha bheejalathe,
Shiva shiva shumbha nishumbhamaha hava,
Tarpitha bhootha pisacha rathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 7

Dhanu ranushanga rana kshana sanga,
Parisphuradanga natath katake,
Kanaka pishanga brushathka nishanga,
Rasadbhata shrunga hatavatuke,
Kritha chaturanga bala kshithirangakadath ,
Bahuranga ratadhpatuke,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 8

_________
9)SURALALA NA THATHATHO THATHATHO THATHATHO BHINA YOTHARA NRITYARATHE
KRITHA KUTHUHO KUTHUHO GADHADADIKA TALAKUTHUHALA GANARA THE
DHUDHU KUTHU DHUKUTA DHIMI DHIMI TADVANI DHIRA MRIDANGA NINADARA THE
JAYA JAYA HE MAHISHASURA MARDINI RAMYA KA PARDINI SHAYLA SU THE
Oh! Mother, the source of sound, You rejoice at the movements of the
celestial dancers who dance to the rhythm of the sounds "thatatho
thatatho thatatho" and "kukutha kukutha kukutha" and "ga ga dha".
Their drum beats creates the sound "kuthu dhukutha dhimi"
________ 8.7

jaya jaya japya jayejaya shabda ,
Parastuti tatpara vishvanute ,
Bhana Bhanabhinjimi bhingrutha noopura,
Sinjitha mohitha bhootha pathe,
Nadintha nataartha nadi nada nayaka,
Naditha natya sugaanarathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 9

Ayi sumana sumana,
Sumana sumanohara kanthiyuthe,
Sritha rajani rajani rajani,
Rajaneekaravakthra vruthe,
Sunayana vibhramarabhrama,
Bhramarabrahmaradhipadhe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 10

Sahitha maha hava mallama hallika,
Mallitharallaka mallarathe,
Virachithavallika pallika mallika billika ,
Bhillika varga Vruthe,
Sithakruthapulli samulla sitharuna,
Thallaja pallava sallalithe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 11

Avirala ganda kalatha mada medura,
Matha matanga rajapathe,
Tribhuvana bhooshana bhootha kalanidhi,
Roopa payonidhi raja suthe,
Ayi suda thijjana lalasa manasa ,
Mohana manmatha raja suthe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 12

Kamala dalaamala komala kanthi,
Kala kalithaamala bala lathe,
Sakala vilasa Kala nilayakrama,
Keli chalathkala hamsa kule,
Alikula sankula kuvalaya mandala ,
Mauli miladh bhakulalikule,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 13

Kara murali rava veejitha koojitha,
Lajjitha kokila manjumathe,
Militha pulinda manohara kunchitha,
Ranchitha shaila nikunjakathe,
Nija guna bhootha maha sabari gana,
Sathguna sambrutha kelithale,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 14

Kati thata peetha dukoola vichithra,
Mayuka thiraskrutha Chandra ruche,
Pranatha suraasura mouli mani sphura ,
Damsula sannka Chandra ruche,
Jitha kanakachala maulipadorjitha,
Nirbhara kunjara kumbhakuche,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 15

Vijitha sahasra karaika sahasrakaraika,
Sarakaraika nuthe,
Krutha sutha tharaka sangaratharaka,
Sangaratharaka soonu suthe,
Suratha Samadhi samana Samadhi,
Samadhi Samadhi sujatharathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 16

Padakamalam karuna nilaye varivasyathi,
yo anudhinam sa shive,
Ayi kamale kamala nilaye kamala nilaya
Sa katham na bhaveth,
Thava padameva param ithi
Anusheelayatho mama kim na shive,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 17

Kanakala sathkala sindhu jalairanu
Sinjinuthe guna ranga bhuvam,
Bhajathi sa kim na Shachi kucha kumbha
Thati pari rambha sukhanubhavam,
Thava charanam saranam kara vani
Nataamaravaaninivasi shivam,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 18

Thava Vimalendu kulam vadnedumalam
Sakalayananu kulayathe,
Kimu puruhootha pureendu mukhi
Sumukhibhee rasou vimukhi kriyathe,
Mama thu matham shivanama dhane
Bhavathi krupaya kimu na kriyathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 19

Ayi mai deena dayalu thaya krupayaiva
Thvaya bhavthavyam ume,
Ayi jagatho janani kripayaa asi
thatha anumithasi rathe
Na yaduchitham atra bhavathvya rari kurutha,
durutha pamapakarute

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 20

Lingashtakam
Brahma Muraari Suraarchita Lingam
Nirmala Bhashita Shobhita Lingam
Janmaja Dukha Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Devamuni Pravaraarchita Lingam
Kaamadaham Karunaakara Lingam
Raavana Darpa Vinaashaka Lingam
Tat Pranamaami Sada Shiva Lingam

Sarva Sugandha Sulepitha Lingam
Buddhi Vivardhana Kaarana Lingam
Siddha Suraasura Vanditha Lingam
Tat Pranamaami Sadaa Shiva Lingam

Kanaka Mahaamani Bhushitha Lingam
Phanipathi Veshtitha Shobhitha Lingam
Daksha Suyajna Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Kumkuma Chandana Lepitha Lingam
Pankaja Haara Sushobhitha Lingam
Sanchitha Paapa Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Devaganaarchitha Sevitha Lingam
Bhaavair Bhakti Bhirevacha Lingam
Dinakara Koti Prabhakara Lingam
Tat Pranamaami Sadaa Shiva Lingam

Ashta Dalopari Veshtitha Lingam
Sarva Samudbhava Kaarana Lingam
Ashta Daridra Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Suraguru Suravara Pujitha Lingam
Suravana Pushpa Sadaarchitha Lingam
Paraatparam Paramatmaka Lingam
Tat Pranamaami Sadaa Shiva Lingam


Lingashtaka Midam Punyam
Yah Pathet Sivasannidhau
Sivaloka Mavaapnoti
Sivehna Saha Modatheh


various genesh
heart sutra - sanskrit

"arya-avalokitesvara bodhisattva gambhiram prashnaparamitacharyam charamano vyavalokayati sma: panja-skandhas (asascha) shvabhavashunyan pashyati sma.

iha shariputra rupam shunyum shunyataiva rupam,
rupan na prithak shunyata(shrum) shunyataya na prithasag rupam,

yad rupam sa shunyata ya (shrun) sunyata tad rupam; evam eva vedana-samjna-samskara-vijnanam.
iha shariputra sarva-dharmah shunyata-lakshana, anutpanna aniruddha, amala avimala, anuna aparipurnah.

tasmac shariputra sunyatayam na rupam na vedana na samjna na samskarah na vijnanam.
na chaksuh- tra-ghrana-jihva-kaya-manamsi. na rupa-shabda-gandha-rasa-sprastavya-dharmah.

na caksur-dhatur yavan na manovijnana-dhatuh. na-avidya na-avidya-ksayo yavan na jaramaranam na jara-marana-ksayo. na duhkha-samudaya-nirodha-marga. na jnanam, na praptir na-apraptih
.
tasmac chariputra apraptitvad bodhisattvasya prajnaparamitam asritya vibaraty acittavaranah. cittavarana-nastitvad atrasto viparyasa-ati-kranto nistha-nirvana-

praptah.tryadhva-vyavasthitah sarva-buddhah prajnaparamitam asritya-anut-taram samyaksambodhim abhisambuddhah.

tasmaj jnatavyam: prajnaparamita maha-mantro mahavidya-mantro 'nuttara-mantro samasama-mantrah,
sarva-duhkha-prasamanah, satyam amithyatvat.

prajnaparamitayam ukto mantrah. tadyatha: gate gate paragate parasamgate bodhi svaha.


heart sutra - english -
When Bodhisattva Avalokiteshvara was practicing the profound Prajna Paramita, he illuminated the Five Skandhas and saw that they are all empty, and he crossed beyond all suffering and difficulty.

Shariputra, form does not differ from emptiness; emptiness does not differ from form. Form itself is emptiness; emptiness itself is form. So too are feeling, cognition, formation, and consciousness.

Shariputra, all Dharmas are empty of characteristics. They are not produced, not destroyed, not defiled, not pure; and they neither increase nor diminish. Therefore, in emptiness there is no form, feeling, cognition, formation, or consciousness; no eyes, ears, nose, tongue, body, or mind; no sights, sounds, smells, tastes, objects of touch, or Dharmas; no field of the eyes up to and including no field of mind consciousness; and no ignorance or ending of ignorance, up to and including no old age and death or ending of old age and death. There is no suffering, no accumulating, no extinction, and no Way, and no understanding and no attaining.

Because nothing is attained, the Bodhisattva through reliance on Prajna Paramita is unimpeded in his mind. Because there is no impediment, he is not afraid, and he leaves distorted dream-thinking far behind. Ultimately Nirvana! All Buddhas of the three periods of time attain Anuttara-samyak-sambodhi through reliance on Prajna Paramita. Therefore know that Prajna Paramita is a Great Spiritual Mantra, a Great Bright Mantra, a Supreme Mantra, an Unequalled Mantra. It can remove all suffering; it is genuine and not false. That is why the Mantra of Prajna Paramita was spoken. Recite it like this:

Gaté Gaté Paragaté Parasamgaté

Bodhi Svaha!
http://www.drba.org/dharma/heartsutra.asp
http://www4.bayarea.net/~mtlee/

http://dl.dropbox.com/u/3238736/mantra/Shurangama%20No%20Beginning.mp3
Shurangama Mantra
I.
na mwo sa dan two
su chye dwo ye
e la he di
san myau san pu two sye
na mwo sa dan two
fwo two jyu jr shai ni shan
na mwo sa pe
bwo two bwo di
sa dwo pi bi
na mwo sa dwo nan
san myau san pu two jyu jr nan
swo she la pe jya
seng chye nan
na mwo lu ji e lwo han dwo nan
na mwo su lu dwo bwo nwo nan
na mwo swo jye li two chye mi nan
na mwo lu ji san myau chye dwo nan
san myau chye be la di bwo dwo nwo nan
na mwo ti pe li shai nan
na mwo syi two ye
pi di ye
two la li shai nan
she pwo nu
jya la he
swo he swo la mwo two nan
na mwo ba la he mwo ni
na mwo yin two la ye
na mwo pe chye pe di
lu two la ye
wu bwo be di
swo syi ye ye
na mwo pe chye pe di
nwo la ye
na ye
pan je mwo he san mwo two la
na mwo syi jye li dwo ye
na mwo pe chye pe di
mwo he jya la ye
di li bwo la na
chye la pi two la
bwo na jya la ye
e di mu di
shr mwo she nwo ni
pe syi ni
mwo dan li chye na
na mwo syi jye li dwo ye
na mwo pe chye pe di
dwo two chye dwo jyu la ye
na mwo be tou mwo jyu la ye
na mwo ba she la jyu la ye
na mwo mwo ni jyu la ye
na mwo chye she jyu la ye
na mwo pe chye pe di
di li cha
shu la syi na
bwo la he la na la she ye
dwo two chye dwo ye
na mwo pe chye pe di
na mwo e mi dwo pe ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
e chu pi ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
bi sha she ye
jyu lu fei ju li ye
bwo la pe la she ye
dwo two chye dwo ye
na mwo pe chye pe di
san bu shr bi dwo
sa lyan nai la la she ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
she ji ye mu nwo ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
la dan na ji du la she ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
di pyau
na mwo sa jye li dwo
yi tan pe chye pe dwo
sa dan two chye du shai ni shan
sa dan dwo bwo da lan
na mwo e pe la shr dan
bwo la di
yang chi la
sa la pe
bwo dwo jye la he
ni jye la he
jye jya la he ni
ba la bi di ye
chr two ni
e jya la
mi li ju
bwo li dan la ye
ning jye li
sa la pe
pan two nwo
mu cha ni
sa la pe
tu shai jya
tu syi fa
bwo na ni
fa la ni
je du la
shr di nan
jye la he
swo he sa la rau she
pi dwo beng swo na jye li
e shai ja bing she di nan
na cha cha dan la rau she
bwo la sa two na jye li
e shai ja nan
mwo he jye la he rau she
pi dwo beng sa na jye li
sa pe she du lu
ni pe la rau she
hu lan tu syi fa
nan je na she ni
pi sha she
syi dan la
e ji ni
wu two jya la rau she
e bwo la shr dwo jyu la
mwo he bwo la jan chr
mwo he dye dwo
mwo he di she
mwo he shwei dwo she pe la
mwo he ba la pan two la
pe syi ni
e li ye dwo la
pi li jyu jr
shr pe pi she ye
ba she la mwo li di
pi she lu dwo
bwo teng wang jya
ba she la jr he nwo e je
mwo la jr pe
bwo la jr dwo
ba she la shan chr
pi she la je
shan dwo she pi ti pe bu shr dwo
su mwo lu bwo
mwo he shwei dwo
e li ye dwo la
mwo he pe la e bwo la
ba she la shang jye la jr pe
ba she la
jyu mwo li
jyu lan two li
ba she la he sa dwo je
pi di ye
chyan je nwo
mwo li jya
ku su mu pe
jye la dwo nwo
pi lu je na
jyu li ye
ye la tu
shai ni shan
pi je lan pe mwo ni je
ba she la jya na jya bwo la pe
lu she na
ba she la dwun jr je
shwei dwo je
jya mwo la
cha che shr
bwo la pe
yi di yi di
mu two la
jye na
swo pi la chan
jywe fan du
yin tu na mwo mwo sye
II.
wu syin
li shai jye na
bwo la she syi dwo
sa dan two
chye du shai ni shan
hu syin du lu yung
jan pe na
hu syin du lu yung
syi dan pe na
hu syin du lu yung
bwo la shai di ye
san bwo cha
na jye la
hu syin du lu yung
sa pe yau cha
he la cha swo
jye la he rau she
pi teng beng sa na jye la
hu syin du lu yung
je du la
shr di nan
jye la he
swo he sa la nan pi teng beng sa na la
hu syin du lu yung
la cha
pe chye fan
sa dan two
chye du shai ni shan
bwo la dyan
she ji li
mwo he swo he sa la
bwo shu swo he sa la
shr li sha
jyu jr swo he sa ni
di li e bi ti shr pe li dwo
ja ja ying jya
mwo he ba she lu two la
di li pu pe na
man cha la
wu syin
swo syi di
bwo pe du
mwo mwo
yin tu na mwo mwo sye
III.
la she pe ye
ju la be ye
e chi ni pe ye
wu two jya pe ye
pi sha pe ye
she sa dwo la pe ye
pe la jau jye la pe ye
tu shai cha pe ye
e she ni pe ye
e jya la
mi li ju pe ye
two la ni bu mi jyan
bwo chye bwo two pe ye
wu la jya pe dwo pe ye
la she tan cha pe ye
nwo chye pe ye
pi tyau dan pe ye
su bwo la na pe ye
yau cha jye la he
la cha sz jye la he
bi li dwo jye la he
pi she je jye la he
bu dwo jye la he
jyou pan cha jye la he
bu dan na jye la he
jya ja bu dan na jye la he
syi chyan du jye la he
e bwo syi mwo la jye la he
wu tan mwo two jye la he
che ye jye la he
syi li pe di jye la he
she dwo he li nan
jye pe he li nan
lu di la he li nan
mang swo he li nan
mi two he li nan
mwo she he li nan
she dwo he li nyu
shr bi dwo he li nan
pi dwo he li nan
pe dwo he li nan
e shu je he li nyu
jr dwo he li nyu
di shan sa pi shan
sa pe jye la he nan
pi two ye she
chen two ye mi
ji la ye mi
bwo li ba la je jya
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
cha yan ni
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
mwo he bwo su bwo dan ye
lu two la
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
nwo la ye na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
dan two chye lu cha syi
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
mwo he jya la
mwo dan li chye na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
jya bwo li jya
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
she ye jye la
mwo du jye la
sa pe la two swo da na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
je du la
pe chi ni
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
pi li yang chi li jr
nan two ji sha la
chye na bwo di
swo syi ye
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
na jye na she la pe na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
e lwo han
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
pi dwo la chye
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
ba she la bwo ni
jyu syi ye jyu syi ye
jya di bwo di chi li dan
pi two ye she
chen two ye mi
ji la ye mi
la cha wang
pe chye fan
yin tu na mwo mwo sye
IV.
pe chye fan
sa dan dwo bwo da la
na mwo tswei du di
e syi dwo na la la jya
bwo la pe syi pu ja
pi jya sa dan dwo be di li
shr fwo la shr fwo la
two la two la
pin two la pin two la
chen two chen two
hu syin hu syin
pan ja pan ja pan ja pan ja pan ja
swo he
syi syi pan
e mu jye ye pan
e bwo la ti he dwo pan
pe la bwo la two pan
e su la
pi two la
bwo jya pan
sa pe ti pi bi pan
sa pe na chye bi pan
sa pe yau cha bi pan
sa pe chyan ta pe bi pan
sa pe bu dan na bi pan
jya ja bu dan na bi pan
sa pe tu lang jr di bi pan
sa pe tu sz bi li
chi shai di bi pan
sa pe shr pe li bi pan
sa pe e bwo syi mwo li bi pan
sa pe che la pe na bi pan
sa pe di di ji bi pan
sa pe dan mwo two ji bi pan
sa pe pi two ye
la shr je li bi pan
she ye jye la
mwo du jye la
sa pe la two swo two ji bi pan
pi di ye
je li bi pan
je du la
fu chi ni bi pan
ba she la
jyu mwo li
pi two ye
la shr bi pan
mwo he bwo la ding yang yi
chi li bi pan
ba she la shang jye la ye
bwo la jang chi la she ye pan
mwo he jya la ye
mwo he mwo dan li jya na
na mwo swo jye li dwo ye pan
bi shai na bei ye pan
bwo la he mwo ni ye pan
e chi ni ye pan
mwo he jye li ye pan
jye la tan chr ye pan
mye dan li ye pan
lau dan li ye pan
je wen cha ye pan
jye lwo la dan li ye pan
jya bwo li ye pan
e di mu jr dwo
jya shr mwo she nwo
pe sz ni ye pan
yan ji jr
sa two pe sye
mwo mwo yin tu na mwo mwo sye
V.
tu shai ja jr dwo
e mwo dan li jr dwo
wu she he la
chye pe he la
lu di la he la
pe swo he la
mwo she he la
she dwo he la
shr bi dwo he la
ba lyau ye he la
chyan two he la
bu shr bwo he la
pwo la he la
pe sye he la
be bwo jr dwo
tu shai ja jr dwo
lau two la jr dwo
yau cha jye la he
la cha swo jye la he
bi li dwo jye la he
pi she je jye la he
bu dwo jye la he
jyou pan cha jye la he
syi chyan two jye la he
wu dan mwo two jye la he
che ye jye la he
e bwo sa mwo la jye la he
jai chywe ge
cha chi ni jye la he
li fwo di jye la he
she mi jya jye la he
she jyu ni jye la he
mu two la
na di jya jye la he
e lan pe jye la he
chyan du bwo ni jye la he
shr fwo la
yin jya syi jya
jywe di yau jya
dan li di yau jya
je tu two jya
ni ti shr fa la
bi shan mwo shr fa la
bwo di jya bi di jya
shr li shai mi jya
swo ni bwo di jya
sa pe shr fa la
shr lu ji di
mwo two pi da lu jr chyan
e chi lu chyan
mu chywe lu chyan
jye li tu lu chyan
jya la he
jye lan jye na shu lan
dan dwo shu lan
chi li ye shu lan
mwo mwo shu lan
ba li shr pe shu lan
bi li shai ja shu lan
wu two la shu lan
jye jr shu lan
ba syi di shu lan
wu lu shu lan
chang chye shu lan
he syi dwo shu lan
ba two shu lan
swo fan ang chye
bwo la jang chye shu lan
bu dwo bi dwo cha
cha chi ni
shr pe la
two tu lu jya
jyan du lu ji jr
pe lu dwo pi sa bwo lu
he ling chye
shu sha dan la
swo na jye la
pi sha yu jya
e chi ni
wu two jya
mwo la pi la
jyan dwo la
e jya la
mi li du
da lyan bu jya
di li la ja
bi li shai jr jya
sa pe na jyu la
sz yin chye bi
jye la li yau cha
dan la chu
mwo la shr
fei di shan
swo pi shan
syi dan dwo bwo da la
mwo he ba she lu shai ni shan
mwo he bwo lai jang chi lan
ye bwo tu two
she yu she nwo
byan da li na
pi two ye
pan tan jya lu mi
di shu
pan tan jya lu mi
bwo la pi two
pan tan jya lu mi
dwo jr two
nan
e na li
pi she ti
pi la ba she la
two li
pan two pan two ni
ba she la bang ni pan
hu syin du lu yung pan
swo pe he.

re charging energy flow

right hand over left hand anbd thumb touching each other
you know the usual meditation hand posture ?
http://www.coupdefoudre.com/FAQStats/images/mudra5.gif
ok
then staylike that quiet for a while
and attention is placed in the lower abdomen region... inside which is hollow
like the empty void
then seperate the hands at a distance
so it would seem you are holding a plate with 2 hands
k
energy from above come down in a straight line from the crown to the empty space of the lower abdomen (lower elixir field)
that space is the lower elixir field by the way
then slowly lift the hands still holding the 'plate' to the chest level
and as you do it.. imagine the energy flowing down to the heart levle
it's in the beginning, the energy flows like a stream to the lower elixir field
then finally
lift the 'plate' of energy to the forehead and crown region in between
and the energy flow to the crown
region
opppsss....
not finally
yet
now slowly lower the 'plate' to the lower elixir field region
and the energy flows to the lower elixir
and when you are done
gaze inwards to the lower elixir field
and quiet in the mind and slowly come out

Emergancy Chakra Maintinance

(12:38:51 AM) twzgerald http://www.wudang.com/English/MartialArts/qigong_en.html

(12:39:20 AM) twzgerald look at third paragraph... "Laozi's dao te jing ..blah blah blah..."

(1:20:19 AM) twzgerald humans have a store of energy stashed away... in case the body goes into emergency
(1:20:30 AM) twzgerald you can use his store for him.

(1:21:06 AM) twzgerald since the two chakras are so badly screwed, use the energy and essence from all the other chakras and drench and clear that two chakras


(1:22:02 AM) twzgerald then use his store of energy to be flood the crown chakra
(1:22:12 AM) twzgerald his brain chemistry needs adjusting

(1:23:59 AM) twzgerald then from the lower chakras like the root, keep pushing all the way up to the crown to drench out any free floating screwed energy
(1:24:20 AM) twzgerald that's why use the extra store of his energy and then dump it at the crown
(1:24:36 AM) twzgerald then the crown would like a gravity pump, push it down to the third eye

1:33:43 AM) twzgerald the part on using the body's energy store... not easy to formulate
(1:33:47 AM) twzgerald let's see....
(1:34:04 AM) twzgerald ren and du meridian controls a body's entire yin and yang energy...
(1:34:18 AM) twzgerald to use them efficiently is to couple the use of yin and yang

(1:36:42 AM) twzgerald ren meridian starts from the perinum and run a straight line up in front of the chest to the tip of the tongue
(1:37:19 AM) twzgerald du meridian starts from the anus, up the spine to top of the head (bai hui acupint) down the front of the face to the upper palate
(1:37:37 AM) twzgerald that's why when you mediate, you join the tongue to the upper palate
(1:37:43 AM) twzgerald links the flow of chi
(1:38:37 AM) twzgerald ok,.. now I finish a preliminary formulation of the usage of the yin and yang energy in the storage of a person

(1:39:09 AM) twzgerald du meridian: http://www.acumedico.com/dumai.htm
(1:39:23 AM) twzgerald ren meridian: http://www.acumedico.com/renmai.htm

(1:39:56 AM) twzgerald du meridian is Yang energy. ren is Yin energy
(1:40:25 AM) twzgerald as you can see from the two charts, they form a circular link right ?
(1:41:07 AM) twzgerald so now, you draw energy from the bottom of the link which is Ren 1 point and Du 1 point.
(1:41:40 AM) twzgerald Ren 1 point or the energy from the perineum acupoint would flow up the body to the top of the head.
(1:43:16 AM) twzgerald du 1 point is in between the anus and the tip of the tail bone. du 1 point would send energy up the spine to the top of the head
(1:43:54 AM) twzgerald as you should have noticed, du 1 and ren 1 each respectively are the 'starting points' of these 2 meridians
(1:44:20 AM) twzgerald so by gathering energy up to the top of the head.. and send it up to the crown chakra.
(1:44:43 AM) twzgerald then the crown chakra would push down the energy and it would pass into the brow chakra ...
(1:44:58 AM) twzgerald that should handle the 6th chakra - brow chakra.

1:52:20 AM) twzgerald for his extra complicated situation.... I can only prescribe one thing...
(1:52:29 AM) twzgerald the mixing of all the chakras energy

(1:53:45 AM) nefret_nubti I did that to alveviate confusion

(1:56:10 AM) twzgerald 1. From the Ren and Du channels, throughly pull energy up to the top of the head and then to the crown.
(1:56:18 AM) twzgerald let the crown push energy down it self.
(1:57:10 AM) twzgerald 2. From the Root chakra, pull energy up to the crown and as energy passes each chakras, they join in. When energy goes to the crown, push it back down so it becomes a cycle of up and down the chakras.
(1:57:35 AM) twzgerald For you if you want to treat him: Put on full protection
(1:58:03 AM) twzgerald don't try to draw in any more or give him energy
(1:58:08 AM) twzgerald I think he doesn't need that.
(1:58:15 AM) twzgerald the system in his body would handle.
(1:58:28 AM) twzgerald adding more energy means more streams of confused energy.
(1:58:32 AM) twzgerald Not good for healing.

(1:59:35 AM) twzgerald This is from a medical point of view
(1:59:39 AM) twzgerald nothing personal.

(2:01:14 AM) twzgerald so you have lesser to use
(2:01:27 AM) twzgerald don't forget you are using HIS energy store to treat himself
(2:01:34 AM) twzgerald not your own store
(2:01:38 AM) nefret_nubti I cant use elemental energy?
(2:01:39 AM) twzgerald the reason is simple.
(2:01:43 AM) nefret_nubti or the sun ?
(2:01:45 AM) twzgerald No elemental for now.
(2:01:47 AM) twzgerald not at all.
(2:01:57 AM) nefret_nubti why not?
(2:02:10 AM) twzgerald Let me example, one side this is a way to treat mutliple energy screw ups...
(2:02:18 AM) twzgerald like his case
(2:02:27 AM) twzgerald but on the other hand.. the process to treatment is hell.
(2:02:32 AM) twzgerald kind of like energy chemo
(2:02:54 AM) twzgerald any introduction of external energy would only confuse his already confused energy
(2:03:03 AM) nefret_nubti ah
(2:03:08 AM) twzgerald most healers think that the raw pumping of light energy would help.
(2:03:14 AM) twzgerald Not at all... it worsens
(2:03:24 AM) twzgerald too much energy in him.. too many variants
(2:03:27 AM) twzgerald all fighting each other
(2:03:28 AM) nefret_nubti ooooooooooooooooo
(2:03:36 AM) twzgerald how much more confused ?
(2:03:59 AM) twzgerald so one side... it's gonna hurt alot if he takes the treatment... and it is going to do a good 1 time clear all as well



(2:09:21 AM) twzgerald have you noted the treatment methods, the pictures of acupoints and placements ?
(2:10:18 AM) nefret_nubti no
(2:14:23 AM) twzgerald so you are going to continue to treat him using my prescribed method ?
(2:14:34 AM) nefret_nubti yeah tomorow
(2:14:43 AM) nefret_nubti Im going to reread and look at the pics
(2:30:07 AM) twzgerald hmmm.. there's one problem though
(2:30:15 AM) twzgerald we already discussed
(2:30:24 AM) nefret_nubti hu'/
(2:30:26 AM) nefret_nubti ?
(2:30:28 AM) twzgerald what to do when his store's energy is low

(2:33:38 AM) twzgerald saving 1 life is better then making 10000 pagodas
(2:33:48 AM) twzgerald amitabha buddha...
(2:33:49 AM) nefret_nubti WHAT!!???
(2:33:52 AM) twzgerald lol
(2:34:13 AM) twzgerald it's a proverb to say that the merits of saving a life worth more then buidling so many buddhist pagodas]
(2:34:28 AM) nefret_nubti ah
(2:34:32 AM) twzgerald :D

(2:37:27 AM) twzgerald but simply alchmey to produce pure energy to give
(2:37:28 AM) nefret_nubti you just said my energy would be depleated
(2:37:36 AM) twzgerald yes... why ?
(2:38:08 AM) twzgerald and I am sure your health requires it
(2:38:12 AM) nefret_nubti we are trying to avoide my depleation
(2:38:20 AM) twzgerald yes
(2:38:25 AM) twzgerald because your health requires it

(2:39:31 AM) twzgerald get your student to cultivate and donate abit
(2:39:41 AM) nefret_nubti same thing I was planning on doing anyway
(2:39:43 AM) twzgerald then both of their donated energy can be refined to an elixir
(2:40:01 AM) twzgerald refinig, I already have an elixir sigil up in your site
(2:40:06 AM) twzgerald but the formula is in my book

(2:44:27 AM) twzgerald we need to put heads together to find a source of pure energy to make up for his lose of stored energy
(2:44:45 AM) twzgerald and the possible alternatives is to gather cultivated essences and refine them to elixirs

(2:47:43 AM) twzgerald so their energy patterns they cultivated should be around the same

cheet for great compassion

'Om Vajra dharma hrih

Chinese Elements

there are five elements in chinese. Fire, Earth, Metal, Water, Wood.28:09Constructive Cycle:Fire > Earth > Metal > Water > Wood > FireControlling / Weakening Cyce:Fire - Metal - Wood - Earth - Water - Fire28:38The constructive cycle is the natural flow is of element. As you can see.. one flows to the other phase28:54Controlling / Weakening cycle is very well misunderstood29:25Fire goes against metal, metal against wood ... etc...29:57Controlling cycle doesn't mean negative destruction30:05but it also implies that meaning if overdone.30:38If there is too much Fire, you use water, too much Earth, you use Wood



so you need to apply the two cycles in a very flexible way to the imbalances in the world32:16Now is the Yin organs that relate to the elements. The yang organs are usually not targeted as nourishing the yin would also affect the yang organs33:01FIre - Heart, Earth - Spleen, Metal - Lungs, Water - Kidneys, Wood - Liver33:22each is either too overactive or too underactive in most illnesses33:33use your inner senses to sense it34:30Fire is red of South, Earth is yellow of Center, Metal is white of West, Water is black of North, Wood is green of East34:44I think you open notepad and put them into a table34:49easier to understand36:23Water is the restive winter where it nourishes and stores one's potential energy. Wood is the spring that it is beginning and freshness of spring is it's energy. Fire is the summer, the heat and the active energy. Metal is the autumn of soberness and relationships.36:54Metal's energy is used to counter overactive Fire, adding some quiet to the overactivity37:27Earth is the king in the center of them all. It is the great center that all arises and falls.37:57Every season has 3 months (4 seasons). The last of the 3 months in each season is the time of the Earth.



This tefchnique is called the Five Healing Sounds40:53Xu is the sound of Wood, Her is the sound Heart, Hu is the sound of Earth, Si is the sound of Metal, Fu is the sound of Water.41:03say them slow and pull them long41:26Some people like to say them aloud some prefer to whisper41:44some think that speaking these sounds are harmful... no one knows the truth.42:16But these sounds spoken repeatedly and in accordance with the Constructive and Controlling cycles of the elements can heal or can kill.43:31The last sound although not of the elements, is Hey. It is the sound of the three elixir cauldrons in our body that creates the Great Medicine.43:56'Hey' is used to complement the healing to regulate the energies in the body.44:33You may use visualizations of the absorption of healing lights with colours conrresponding to the elements as you intone the sounds.44:44This is the Five Healing Sound technique.48:05Hearing attributes to water and the kidney and ears.Tasting attributes to fire and the heart and tonuge.Touch attributes to metal and the lungs and skin.Seeing attributes to the wood and the liver and eyes.49:38Sour is of Wood, Bitter is of Fire, Sweet is of earth, Pungent is of Metal, Salty is of Water.49:57balance the 5 tastes or the senses may go numb50:21To cultivate and strengthen the five organs further use the following formulae51:32Eyes do not see, Ears do not hear, Nose do not smell, Taste do not taste ?, Mouth do not speak, Touch does not touch ?, Thought is as it is neither existing or not existing.52:03Do you know what I meant in the text for cultivating the five organs ?nefret_nubti 4:52 AM notwzgerald 4:52 AM lol...52:35lucky I asked... because this portion if misunderstood would not be easy to cultivate52:51Because of sensory perceptions, we are trapped in our illusions53:17so if a person rest their eyes and close it, ...etc... rest the senses and just sit in emptiness...53:30not only does the mind rests, but the energies would balance out54:04the energy around us would also automatically condense onto us and automatically without visualization, our energy would quietly be restored54:57Finally, the five mental states that have to be balanced.55:37Anger arises from Wood, Happines from Fire, Grief and sorrow from Metal, Fear from Water and over Pensiveness from Earth55:51What it means is to control emotions and not think too much56:04not too happy, not too sad...56:16That's the end for the basics of the five elements

Padmasambhava mantra

AH KA SA MA RA TSA SHA TA RA SA MA RA YA PHAT

it is used as a basis to build the infamous seven line prayer to guru Padmasambhava of the tibetan buddhist trads
22:50
one time guru Padmasambhava a.k.a guru rinpoche needed to take on many mages in tibet who challenged him
23:02
and a lion faced dakini / deva appeared and gave him a box
23:09
the box contained the 14 syllables
when the mages challenged him, he spoke the 14 syllables and vajras fell and rain on the mages defeating them