Intense Chakra Therepy Sessions and notes

Procedures of healing for patient:

Procedure 1 Steps [Duration wk 1 & 2]: {Daily - 30 minutes x 2 times}
=====================================
1. Draw energy from root chakra and bring up to the crown and back down in cycles. Mix the energies of all the chakras.
2. From the Ren 1 acupoint, bring energy up the Ren meridian. From the Du 1 acupoint, bring energy up the Du meridian.
3. As energy is brought up their respective meridian, make sure to gather as much energy from the Ren and Du meridian like a snow ball.
4. Bring the energy gathered from Ren and Du meridian to the crown chakra and let the crown chakra do it's work.

what really happens - after being told it would require intense concentration and energy I decided that since the chakras were in bad condition any way that I would, for the next two wks infuse the chakras with the vibrational and color needed to properly maintain them. Then I would choose particular 'songs' in sanskrit. As follows




This is a mantra for brahma
om prajapate na tvad etany anyo
visva jatani parita babhuva
yat kamas te juhumas tan no astu
vayam syama patayo rayinam

Seed letters (on the petals): Vam, Sham, Ssam, Sam

Bija Mantra: Lam




Shree Vinshu Mantra


SHAANTAAKAARAM
BHUJAGASHAYANAM
PADMANAABHAM SURESHAM
VISHWAADHAARAM
GAGANASADRASHAM
MEGHAVARNAM SHUBHAANGAM
LAKSHMIKAANTAM
KAMALANAYANAM
YOGIBHIRDHYAANAGAMYAM
VANDE VISHNUM
BHAVABHAYAHARAM
SARVALOKAIKANAATHAM

Seed Letters : (on the petals) Bang, Bhang, Mang, Yang, Rang, Lang

Bija Mantra: Vam




Natarj, Nataraja, jai shiva shankara nataraja

Seed Letters: (on the petals right to left) dang, dhang, nang, tang, thang, dang, dhang, nang, pang, phang

Bija Mantra: Ram



Om Tryamlakam Yajamahe
Sugandhim Pusti - vardhanam |
Urva - rukamiva Bandhanan
Mrtyor - muksheeya Ma - amritat ||

Seed Letters: (right to left) Kang, khang, gang, ghang, nang, chang, chang, jang, jhang, nang, tang, thang

Bija Mantra: Yang



Guru Mantra

GURUR BRAHMA,
GURUR VISHNU,
GURUR DEVO MAHESHWARAH
GURUR SAAKSHAAT PARA-BRAHMA,
TASMAI SHRI GURUVE NAMAH.

Seed Letters: am, aam, im, eem, um ,oom, rim, rdim, lim, llim, ehm, aim, ohm, aum, ang, ahang.

Bjia Mantra: Ham



Mantra:
Prapanca srsty unmukha lasyakayai
Samasta samharaka tandavaya
Jagaj jananyai jagad eka pitre
Nama sivayai ca namah sivaya

Seed Letters: (on the petals) hang. Kshang

Bija Mantra: Sham





The next part was spacifically for raising/storing potent and powerful energies - pluse I say these every day anyway.

Lotus of Light -
Vam, Sham, Ssam, Sam
Bang, Bhang, Mang, Yang, Rang, Lang
dang, dhang, nang, tang, thang, dang, dhang, nang, pang, phang
Kang, khang, gang, ghang, nang, chang, chang, jang, jhang, nang, tang, thang
am, aam, im, eem, um ,oom, rim, rdim, lim, llim, ehm, aim, ohm, aum, ang, ahang.
hang. Kshang

adi shakti -
adi shakti adi shaki adi shakti
namo namo srvah shakti srvah shakti namo namo
prytam bhagvati prytam bhagvati prytam bhavati namo namo
kundalini matun shakti matun shakti namo namo

gayatre
Om bhuvbuhva swaha tatsavitur vardanyum
bhargo divasya demihi dyoyo na pratchodyat

shante prashante
shati preshante sarvabhya
um prashamani swaha shatin prashanti

shiva thandava stotram
Jatatavigalajjala pravahapavitasthale
Galeavalambya lambitam bhujangatungamalikam
Damad damad damaddama ninadavadamarvayam
Chakara chandtandavam tanotu nah shivah shivam .. 1

Jatakatahasambhrama bhramanilimpanirjhari
Vilolavichivalara ivirajamanamurdhani
Dhagadhagadhagajjva lalalatapattapavake
Kishorachandrashekhare ratih pratikshanam mama .. 2

Dharadharendrana ndinivilasabandhubandhura
Sphuradigantasantati pramodamanamanase
Krupakatakshadhorani nirudhadurdharapadi
Kvachidigambare manovinodametuvastuni .. 3

Jatabhujangapingala sphuratphanamaniprabha
Kadambakunkumadrava praliptadigvadhumukhe
Madandhasindhurasphura tvagutariyamedure
Mano vinodamadbhutam bibhartu bhutabhartari .. 4

Sahasralochanaprabhritya sheshalekhashekhara
Prasunadhulidhorani vidhusaranghripithabhuh
Bhujangarajamalaya nibaddhajatajutaka
Shriyai chiraya jayatam chakorabandhushekharah .. 5

Lalatachatvarajvala dhanajnjayasphulingabha
Nipitapajnchasayakam namannilimpanayakam
Sudhamayukhalekhaya virajamanashekharam
Mahakapalisampade shirojatalamastunah .. 6

Karalabhalapattika dhagaddhagaddhagajjvala
Ddhanajnjaya hutikruta prachandapajnchasayake
Dharadharendranandini kuchagrachitrapatraka
Prakalpanaikashilpini trilochane ratirmama .. 7

Navinameghamandali niruddhadurdharasphurat
Kuhunishithinitamah prabandhabaddhakandharah
Nilimpanirjharidharastanotu kruttisindhurah
Kalanidhanabandhurah shriyam jagaddhurandharah .. 8

Praphullanilapan kajaprapajnchakalimaprabha
Valambikanthakandali ruchiprabaddhakandharam
Smarachchidam purachchhidam bhavachchidam makhachchidam
Gajachchidandhakachidam tamamtakachchidam bhaje .. 9

Akharvagarvasarvamangala kalakadambamajnjari
Rasapravahamadhuri vijrumbhanamadhuvratam
Smarantakam purantakam bhavantakam makhantakam
Gajantakandhakantakam tamantakantakam bhaje .. 10

Jayatvadabhravibhrama bhramadbhujangamashvasa
Dvinirgamatkramasphurat karalabhalahavyavat
Dhimid dhimid dhimidhvanan mrudangatungamangala
Dhvanikramapravartita prachandatandavah shivah .. 11

Drushadvichitratalpayor bhujangamauktikasrajor
Garishtharatnaloshthayoh suhrudvipakshapakshayoh
Trushnaravindachakshushoh prajamahimahendrayoh
Samapravrutikahsamam pravartayanmanahkada sadashivam bhaje .. 12

Kada nilimpanirjharinikujnjakotare vasanh
Vimuktadurmatih sada shirah sthamajnjalim vahanh
Vimuktalolalochano lalamabhalalagnakah
Shiveti mantramuchcharan sada sukhi bhavamyaham .. 13

Idam hi nityamevamuktamuttamottamam stavam
Pathansmaranbruvannaro vishuddhimetisantatam
Hare gurau subhaktimashu yati nanyatha gatim
Vimohanam hi dehinam sushankarasya chintanam .. 14

Phalastuti

Pujavasanasamaye dashavaktragitam
Yah shambhupujanaparam pathati pradoshhe
Tasya sthiram rathagajendraturangayuktam
Lakshmim sadaiva sumukhim pradadati shambhuh .. 15

venkatesa stotrum
1. Kamalakucha choochuka kunkumatho
Niyatharunithathula neelathano
Kamalayatha lochana lokapathe
Vijayeebhava Venkatasaila pathe


2. Sachadhurmukha shanmukha panchamukha
Pram ukakhila daivatha mouli mane
Saranagatha vathsala saranidhe
Paripalayamam vrishasailapathe

3. Athivelathaya thava durvishahai
Ranuvela Kruthairaparada sathai:
Paritham thvaritham vrishasailapathe
Paraya krupaya paripahi Hare


4. Adhivenkata saila mudaramather
Janathabimathadhika danarathath Paradevathaya gathithannigamai:
Kamaladayithtanna param kalaye

5. Kalavenuravavasa gopa vadhu
Sathakoti vrithath smarakoti samath
Prathivalla vikabhimathath sukhadhath
Vasudeva suthanna paramkalaye


6. Abhirama gunakara dasarathe
Jagadeka danurdhara dheeramathe
Raghunayaka Rama Ramesa vibho
Varadho bhava deva daya jaladhe

7. Avaneethanaya kamaneeyakaram
Rajaneechara charu mukhamburuham
Rajaneechara raja thamo mihiram
Mahaneeyamaham Raghuramamay

8. Sumukham Suhrudam Sulabham sukhadam
Swanujam cha Sukhayamamogha—
Saram Apahaya Raghudwaha manyamaham
Na kathnchana kanchana jathu bhaje

9. Vinaa Venkatesam nanatho nanatha:
Sadaa Venkatesam smarami smarami
Hare Venkatesa Praseeda Praseeda
Priyam Venkatesa Prayachha Prayachha

10. Aham doorathasthe padamboja yugma
Pranamechaya gathya sevam karomi
Sakruthsevaya nithyasevapalam thvam
Prayachha prayachha prabho Venkatesa

11. Agnanina maya doshaanaseshan vihithan Hare
Kshamasvathm kshamasvathvam
Seshasailasikhaman

Aarti Devichi
Durge Durghatbhari Tujvin Sansari |
Anath Nathe Ambe Karuna Vistari ||
Vari Vari Janma Marnache Vari |
Haari Padalo Aata Sankat Nivari ||
Jai Devi Jai Devi Jai Mahishasur Mardini |
Survar IshwarWarDe Taarak Sanjeewani ||
Tribhuvan Bhuvane Pahata Tuj Aise Nahi |
Charhi Shramlo Parantu Na Bolve Kahi ||
Sahi Vivad Ghadala Padalo Pravahi |
Tetu Bhakta Lage Pavashi Lavalahi ||
Jai...||
Prasanna Vadane Prasanna Hoshi Nij Dasa |
Klesha Pasuni Sodavi Todavi Bhavpasha ||
Ambe Tuj Vachun Kon Purvil Asha |
Narhar Talleen Jhale Padpankaj Lesha ||
Jai...||

Mahisasura mardini stotram
Ayi giri nandini, nandhitha medhini,
Viswa vinodhini nandanuthe,
Girivara vindhya sirodhi nivasini,
Vishnu Vilasini Jishnu nuthe,
Bhagawathi hey sithi kanda kudumbini,
Bhoori kudumbini bhoori kruthe,

Jaya Jaya Mahishasura mardini,
Ramya kapardini, shaila Suthe.
1
Suravara varshini, durdara darshini,
Durmukhamarshani, harsha rathe,
Tribhuvana poshini, Sankara thoshini,
Kilbisisha moshini, ghosha rathe,
Danuja niroshini, Dithisutha roshini,
Durmatha soshini, Sindhu suthe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 2

Ayi Jagadambha Madambha , Kadambha,
Vana priya vasini, Hasarathe,
Shikhari siromani, thunga Himalaya,
Srunga nijalaya, madhyagathe,
Madhu Madure, Mdhukaitabha banjini,
Kaitabha banjini, rasa rathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 3

Ayi satha kanda, vikanditha runda,
Vithunditha shunda, Gajathipathe,
Ripu Gaja ganda , Vidhaarana chanda,
Paraakrama shunda, mrugathipathe,
Nija bhuja danda nipaathitha khanda,
Vipaathitha munda, bhatathipathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 4

Ayi rana durmathaShathru vadhothitha,
Durdhara nirjjara, shakthi bruthe,
Chathura vicharadureena maha shiva,
Duthatkrutha pramadhipathe,
Duritha Dureeha, dhurasaya durmathi,
Dhanava dhutha kruithaanthamathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 5

Ayi saranagatha vairi vadhuvara,
Veera varaa bhaya dhayakare,
Tribhuvana masthaka soola virodhi,
Sirodhi krithamala shoolakare,
Dimidmi thaamara dundubinadha mahaa
Mukharikruthatigmakare,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 6

Ayi nija huum kruthimathra niraakrutha,
Dhoomra vilochana Dhoomra sathe,
Samara vishoshitha sonitha bheeja,
Samudhbhava sonitha bheejalathe,
Shiva shiva shumbha nishumbhamaha hava,
Tarpitha bhootha pisacha rathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 7

Dhanu ranushanga rana kshana sanga,
Parisphuradanga natath katake,
Kanaka pishanga brushathka nishanga,
Rasadbhata shrunga hatavatuke,
Kritha chaturanga bala kshithirangakadath ,
Bahuranga ratadhpatuke,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 8

_________
9)SURALALA NA THATHATHO THATHATHO THATHATHO BHINA YOTHARA NRITYARATHE
KRITHA KUTHUHO KUTHUHO GADHADADIKA TALAKUTHUHALA GANARA THE
DHUDHU KUTHU DHUKUTA DHIMI DHIMI TADVANI DHIRA MRIDANGA NINADARA THE
JAYA JAYA HE MAHISHASURA MARDINI RAMYA KA PARDINI SHAYLA SU THE
Oh! Mother, the source of sound, You rejoice at the movements of the
celestial dancers who dance to the rhythm of the sounds "thatatho
thatatho thatatho" and "kukutha kukutha kukutha" and "ga ga dha".
Their drum beats creates the sound "kuthu dhukutha dhimi"
________ 8.7

jaya jaya japya jayejaya shabda ,
Parastuti tatpara vishvanute ,
Bhana Bhanabhinjimi bhingrutha noopura,
Sinjitha mohitha bhootha pathe,
Nadintha nataartha nadi nada nayaka,
Naditha natya sugaanarathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 9

Ayi sumana sumana,
Sumana sumanohara kanthiyuthe,
Sritha rajani rajani rajani,
Rajaneekaravakthra vruthe,
Sunayana vibhramarabhrama,
Bhramarabrahmaradhipadhe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 10

Sahitha maha hava mallama hallika,
Mallitharallaka mallarathe,
Virachithavallika pallika mallika billika ,
Bhillika varga Vruthe,
Sithakruthapulli samulla sitharuna,
Thallaja pallava sallalithe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 11

Avirala ganda kalatha mada medura,
Matha matanga rajapathe,
Tribhuvana bhooshana bhootha kalanidhi,
Roopa payonidhi raja suthe,
Ayi suda thijjana lalasa manasa ,
Mohana manmatha raja suthe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 12

Kamala dalaamala komala kanthi,
Kala kalithaamala bala lathe,
Sakala vilasa Kala nilayakrama,
Keli chalathkala hamsa kule,
Alikula sankula kuvalaya mandala ,
Mauli miladh bhakulalikule,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 13

Kara murali rava veejitha koojitha,
Lajjitha kokila manjumathe,
Militha pulinda manohara kunchitha,
Ranchitha shaila nikunjakathe,
Nija guna bhootha maha sabari gana,
Sathguna sambrutha kelithale,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 14

Kati thata peetha dukoola vichithra,
Mayuka thiraskrutha Chandra ruche,
Pranatha suraasura mouli mani sphura ,
Damsula sannka Chandra ruche,
Jitha kanakachala maulipadorjitha,
Nirbhara kunjara kumbhakuche,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 15

Vijitha sahasra karaika sahasrakaraika,
Sarakaraika nuthe,
Krutha sutha tharaka sangaratharaka,
Sangaratharaka soonu suthe,
Suratha Samadhi samana Samadhi,
Samadhi Samadhi sujatharathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 16

Padakamalam karuna nilaye varivasyathi,
yo anudhinam sa shive,
Ayi kamale kamala nilaye kamala nilaya
Sa katham na bhaveth,
Thava padameva param ithi
Anusheelayatho mama kim na shive,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 17

Kanakala sathkala sindhu jalairanu
Sinjinuthe guna ranga bhuvam,
Bhajathi sa kim na Shachi kucha kumbha
Thati pari rambha sukhanubhavam,
Thava charanam saranam kara vani
Nataamaravaaninivasi shivam,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 18

Thava Vimalendu kulam vadnedumalam
Sakalayananu kulayathe,
Kimu puruhootha pureendu mukhi
Sumukhibhee rasou vimukhi kriyathe,
Mama thu matham shivanama dhane
Bhavathi krupaya kimu na kriyathe,

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 19

Ayi mai deena dayalu thaya krupayaiva
Thvaya bhavthavyam ume,
Ayi jagatho janani kripayaa asi
thatha anumithasi rathe
Na yaduchitham atra bhavathvya rari kurutha,
durutha pamapakarute

Jaya Jaya Mahishasura mardini ,
Ramya kapardini, shaila Suthe. 20

Lingashtakam
Brahma Muraari Suraarchita Lingam
Nirmala Bhashita Shobhita Lingam
Janmaja Dukha Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Devamuni Pravaraarchita Lingam
Kaamadaham Karunaakara Lingam
Raavana Darpa Vinaashaka Lingam
Tat Pranamaami Sada Shiva Lingam

Sarva Sugandha Sulepitha Lingam
Buddhi Vivardhana Kaarana Lingam
Siddha Suraasura Vanditha Lingam
Tat Pranamaami Sadaa Shiva Lingam

Kanaka Mahaamani Bhushitha Lingam
Phanipathi Veshtitha Shobhitha Lingam
Daksha Suyajna Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Kumkuma Chandana Lepitha Lingam
Pankaja Haara Sushobhitha Lingam
Sanchitha Paapa Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Devaganaarchitha Sevitha Lingam
Bhaavair Bhakti Bhirevacha Lingam
Dinakara Koti Prabhakara Lingam
Tat Pranamaami Sadaa Shiva Lingam

Ashta Dalopari Veshtitha Lingam
Sarva Samudbhava Kaarana Lingam
Ashta Daridra Vinaashaka Lingam
Tat Pranamaami Sadaa Shiva Lingam

Suraguru Suravara Pujitha Lingam
Suravana Pushpa Sadaarchitha Lingam
Paraatparam Paramatmaka Lingam
Tat Pranamaami Sadaa Shiva Lingam


Lingashtaka Midam Punyam
Yah Pathet Sivasannidhau
Sivaloka Mavaapnoti
Sivehna Saha Modatheh


various genesh
heart sutra - sanskrit

"arya-avalokitesvara bodhisattva gambhiram prashnaparamitacharyam charamano vyavalokayati sma: panja-skandhas (asascha) shvabhavashunyan pashyati sma.

iha shariputra rupam shunyum shunyataiva rupam,
rupan na prithak shunyata(shrum) shunyataya na prithasag rupam,

yad rupam sa shunyata ya (shrun) sunyata tad rupam; evam eva vedana-samjna-samskara-vijnanam.
iha shariputra sarva-dharmah shunyata-lakshana, anutpanna aniruddha, amala avimala, anuna aparipurnah.

tasmac shariputra sunyatayam na rupam na vedana na samjna na samskarah na vijnanam.
na chaksuh- tra-ghrana-jihva-kaya-manamsi. na rupa-shabda-gandha-rasa-sprastavya-dharmah.

na caksur-dhatur yavan na manovijnana-dhatuh. na-avidya na-avidya-ksayo yavan na jaramaranam na jara-marana-ksayo. na duhkha-samudaya-nirodha-marga. na jnanam, na praptir na-apraptih
.
tasmac chariputra apraptitvad bodhisattvasya prajnaparamitam asritya vibaraty acittavaranah. cittavarana-nastitvad atrasto viparyasa-ati-kranto nistha-nirvana-

praptah.tryadhva-vyavasthitah sarva-buddhah prajnaparamitam asritya-anut-taram samyaksambodhim abhisambuddhah.

tasmaj jnatavyam: prajnaparamita maha-mantro mahavidya-mantro 'nuttara-mantro samasama-mantrah,
sarva-duhkha-prasamanah, satyam amithyatvat.

prajnaparamitayam ukto mantrah. tadyatha: gate gate paragate parasamgate bodhi svaha.


heart sutra - english -
When Bodhisattva Avalokiteshvara was practicing the profound Prajna Paramita, he illuminated the Five Skandhas and saw that they are all empty, and he crossed beyond all suffering and difficulty.

Shariputra, form does not differ from emptiness; emptiness does not differ from form. Form itself is emptiness; emptiness itself is form. So too are feeling, cognition, formation, and consciousness.

Shariputra, all Dharmas are empty of characteristics. They are not produced, not destroyed, not defiled, not pure; and they neither increase nor diminish. Therefore, in emptiness there is no form, feeling, cognition, formation, or consciousness; no eyes, ears, nose, tongue, body, or mind; no sights, sounds, smells, tastes, objects of touch, or Dharmas; no field of the eyes up to and including no field of mind consciousness; and no ignorance or ending of ignorance, up to and including no old age and death or ending of old age and death. There is no suffering, no accumulating, no extinction, and no Way, and no understanding and no attaining.

Because nothing is attained, the Bodhisattva through reliance on Prajna Paramita is unimpeded in his mind. Because there is no impediment, he is not afraid, and he leaves distorted dream-thinking far behind. Ultimately Nirvana! All Buddhas of the three periods of time attain Anuttara-samyak-sambodhi through reliance on Prajna Paramita. Therefore know that Prajna Paramita is a Great Spiritual Mantra, a Great Bright Mantra, a Supreme Mantra, an Unequalled Mantra. It can remove all suffering; it is genuine and not false. That is why the Mantra of Prajna Paramita was spoken. Recite it like this:

Gaté Gaté Paragaté Parasamgaté

Bodhi Svaha!
http://www.drba.org/dharma/heartsutra.asp
http://www4.bayarea.net/~mtlee/

http://dl.dropbox.com/u/3238736/mantra/Shurangama%20No%20Beginning.mp3
Shurangama Mantra
I.
na mwo sa dan two
su chye dwo ye
e la he di
san myau san pu two sye
na mwo sa dan two
fwo two jyu jr shai ni shan
na mwo sa pe
bwo two bwo di
sa dwo pi bi
na mwo sa dwo nan
san myau san pu two jyu jr nan
swo she la pe jya
seng chye nan
na mwo lu ji e lwo han dwo nan
na mwo su lu dwo bwo nwo nan
na mwo swo jye li two chye mi nan
na mwo lu ji san myau chye dwo nan
san myau chye be la di bwo dwo nwo nan
na mwo ti pe li shai nan
na mwo syi two ye
pi di ye
two la li shai nan
she pwo nu
jya la he
swo he swo la mwo two nan
na mwo ba la he mwo ni
na mwo yin two la ye
na mwo pe chye pe di
lu two la ye
wu bwo be di
swo syi ye ye
na mwo pe chye pe di
nwo la ye
na ye
pan je mwo he san mwo two la
na mwo syi jye li dwo ye
na mwo pe chye pe di
mwo he jya la ye
di li bwo la na
chye la pi two la
bwo na jya la ye
e di mu di
shr mwo she nwo ni
pe syi ni
mwo dan li chye na
na mwo syi jye li dwo ye
na mwo pe chye pe di
dwo two chye dwo jyu la ye
na mwo be tou mwo jyu la ye
na mwo ba she la jyu la ye
na mwo mwo ni jyu la ye
na mwo chye she jyu la ye
na mwo pe chye pe di
di li cha
shu la syi na
bwo la he la na la she ye
dwo two chye dwo ye
na mwo pe chye pe di
na mwo e mi dwo pe ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
e chu pi ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
bi sha she ye
jyu lu fei ju li ye
bwo la pe la she ye
dwo two chye dwo ye
na mwo pe chye pe di
san bu shr bi dwo
sa lyan nai la la she ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
she ji ye mu nwo ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
na mwo pe chye pe di
la dan na ji du la she ye
dwo two chye dwo ye
e la he di
san myau san pu two ye
di pyau
na mwo sa jye li dwo
yi tan pe chye pe dwo
sa dan two chye du shai ni shan
sa dan dwo bwo da lan
na mwo e pe la shr dan
bwo la di
yang chi la
sa la pe
bwo dwo jye la he
ni jye la he
jye jya la he ni
ba la bi di ye
chr two ni
e jya la
mi li ju
bwo li dan la ye
ning jye li
sa la pe
pan two nwo
mu cha ni
sa la pe
tu shai jya
tu syi fa
bwo na ni
fa la ni
je du la
shr di nan
jye la he
swo he sa la rau she
pi dwo beng swo na jye li
e shai ja bing she di nan
na cha cha dan la rau she
bwo la sa two na jye li
e shai ja nan
mwo he jye la he rau she
pi dwo beng sa na jye li
sa pe she du lu
ni pe la rau she
hu lan tu syi fa
nan je na she ni
pi sha she
syi dan la
e ji ni
wu two jya la rau she
e bwo la shr dwo jyu la
mwo he bwo la jan chr
mwo he dye dwo
mwo he di she
mwo he shwei dwo she pe la
mwo he ba la pan two la
pe syi ni
e li ye dwo la
pi li jyu jr
shr pe pi she ye
ba she la mwo li di
pi she lu dwo
bwo teng wang jya
ba she la jr he nwo e je
mwo la jr pe
bwo la jr dwo
ba she la shan chr
pi she la je
shan dwo she pi ti pe bu shr dwo
su mwo lu bwo
mwo he shwei dwo
e li ye dwo la
mwo he pe la e bwo la
ba she la shang jye la jr pe
ba she la
jyu mwo li
jyu lan two li
ba she la he sa dwo je
pi di ye
chyan je nwo
mwo li jya
ku su mu pe
jye la dwo nwo
pi lu je na
jyu li ye
ye la tu
shai ni shan
pi je lan pe mwo ni je
ba she la jya na jya bwo la pe
lu she na
ba she la dwun jr je
shwei dwo je
jya mwo la
cha che shr
bwo la pe
yi di yi di
mu two la
jye na
swo pi la chan
jywe fan du
yin tu na mwo mwo sye
II.
wu syin
li shai jye na
bwo la she syi dwo
sa dan two
chye du shai ni shan
hu syin du lu yung
jan pe na
hu syin du lu yung
syi dan pe na
hu syin du lu yung
bwo la shai di ye
san bwo cha
na jye la
hu syin du lu yung
sa pe yau cha
he la cha swo
jye la he rau she
pi teng beng sa na jye la
hu syin du lu yung
je du la
shr di nan
jye la he
swo he sa la nan pi teng beng sa na la
hu syin du lu yung
la cha
pe chye fan
sa dan two
chye du shai ni shan
bwo la dyan
she ji li
mwo he swo he sa la
bwo shu swo he sa la
shr li sha
jyu jr swo he sa ni
di li e bi ti shr pe li dwo
ja ja ying jya
mwo he ba she lu two la
di li pu pe na
man cha la
wu syin
swo syi di
bwo pe du
mwo mwo
yin tu na mwo mwo sye
III.
la she pe ye
ju la be ye
e chi ni pe ye
wu two jya pe ye
pi sha pe ye
she sa dwo la pe ye
pe la jau jye la pe ye
tu shai cha pe ye
e she ni pe ye
e jya la
mi li ju pe ye
two la ni bu mi jyan
bwo chye bwo two pe ye
wu la jya pe dwo pe ye
la she tan cha pe ye
nwo chye pe ye
pi tyau dan pe ye
su bwo la na pe ye
yau cha jye la he
la cha sz jye la he
bi li dwo jye la he
pi she je jye la he
bu dwo jye la he
jyou pan cha jye la he
bu dan na jye la he
jya ja bu dan na jye la he
syi chyan du jye la he
e bwo syi mwo la jye la he
wu tan mwo two jye la he
che ye jye la he
syi li pe di jye la he
she dwo he li nan
jye pe he li nan
lu di la he li nan
mang swo he li nan
mi two he li nan
mwo she he li nan
she dwo he li nyu
shr bi dwo he li nan
pi dwo he li nan
pe dwo he li nan
e shu je he li nyu
jr dwo he li nyu
di shan sa pi shan
sa pe jye la he nan
pi two ye she
chen two ye mi
ji la ye mi
bwo li ba la je jya
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
cha yan ni
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
mwo he bwo su bwo dan ye
lu two la
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
nwo la ye na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
dan two chye lu cha syi
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
mwo he jya la
mwo dan li chye na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
jya bwo li jya
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
she ye jye la
mwo du jye la
sa pe la two swo da na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
je du la
pe chi ni
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
pi li yang chi li jr
nan two ji sha la
chye na bwo di
swo syi ye
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
na jye na she la pe na
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
e lwo han
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
pi dwo la chye
chi li dan
pi two ye she
chen two ye mi
ji la ye mi
ba she la bwo ni
jyu syi ye jyu syi ye
jya di bwo di chi li dan
pi two ye she
chen two ye mi
ji la ye mi
la cha wang
pe chye fan
yin tu na mwo mwo sye
IV.
pe chye fan
sa dan dwo bwo da la
na mwo tswei du di
e syi dwo na la la jya
bwo la pe syi pu ja
pi jya sa dan dwo be di li
shr fwo la shr fwo la
two la two la
pin two la pin two la
chen two chen two
hu syin hu syin
pan ja pan ja pan ja pan ja pan ja
swo he
syi syi pan
e mu jye ye pan
e bwo la ti he dwo pan
pe la bwo la two pan
e su la
pi two la
bwo jya pan
sa pe ti pi bi pan
sa pe na chye bi pan
sa pe yau cha bi pan
sa pe chyan ta pe bi pan
sa pe bu dan na bi pan
jya ja bu dan na bi pan
sa pe tu lang jr di bi pan
sa pe tu sz bi li
chi shai di bi pan
sa pe shr pe li bi pan
sa pe e bwo syi mwo li bi pan
sa pe che la pe na bi pan
sa pe di di ji bi pan
sa pe dan mwo two ji bi pan
sa pe pi two ye
la shr je li bi pan
she ye jye la
mwo du jye la
sa pe la two swo two ji bi pan
pi di ye
je li bi pan
je du la
fu chi ni bi pan
ba she la
jyu mwo li
pi two ye
la shr bi pan
mwo he bwo la ding yang yi
chi li bi pan
ba she la shang jye la ye
bwo la jang chi la she ye pan
mwo he jya la ye
mwo he mwo dan li jya na
na mwo swo jye li dwo ye pan
bi shai na bei ye pan
bwo la he mwo ni ye pan
e chi ni ye pan
mwo he jye li ye pan
jye la tan chr ye pan
mye dan li ye pan
lau dan li ye pan
je wen cha ye pan
jye lwo la dan li ye pan
jya bwo li ye pan
e di mu jr dwo
jya shr mwo she nwo
pe sz ni ye pan
yan ji jr
sa two pe sye
mwo mwo yin tu na mwo mwo sye
V.
tu shai ja jr dwo
e mwo dan li jr dwo
wu she he la
chye pe he la
lu di la he la
pe swo he la
mwo she he la
she dwo he la
shr bi dwo he la
ba lyau ye he la
chyan two he la
bu shr bwo he la
pwo la he la
pe sye he la
be bwo jr dwo
tu shai ja jr dwo
lau two la jr dwo
yau cha jye la he
la cha swo jye la he
bi li dwo jye la he
pi she je jye la he
bu dwo jye la he
jyou pan cha jye la he
syi chyan two jye la he
wu dan mwo two jye la he
che ye jye la he
e bwo sa mwo la jye la he
jai chywe ge
cha chi ni jye la he
li fwo di jye la he
she mi jya jye la he
she jyu ni jye la he
mu two la
na di jya jye la he
e lan pe jye la he
chyan du bwo ni jye la he
shr fwo la
yin jya syi jya
jywe di yau jya
dan li di yau jya
je tu two jya
ni ti shr fa la
bi shan mwo shr fa la
bwo di jya bi di jya
shr li shai mi jya
swo ni bwo di jya
sa pe shr fa la
shr lu ji di
mwo two pi da lu jr chyan
e chi lu chyan
mu chywe lu chyan
jye li tu lu chyan
jya la he
jye lan jye na shu lan
dan dwo shu lan
chi li ye shu lan
mwo mwo shu lan
ba li shr pe shu lan
bi li shai ja shu lan
wu two la shu lan
jye jr shu lan
ba syi di shu lan
wu lu shu lan
chang chye shu lan
he syi dwo shu lan
ba two shu lan
swo fan ang chye
bwo la jang chye shu lan
bu dwo bi dwo cha
cha chi ni
shr pe la
two tu lu jya
jyan du lu ji jr
pe lu dwo pi sa bwo lu
he ling chye
shu sha dan la
swo na jye la
pi sha yu jya
e chi ni
wu two jya
mwo la pi la
jyan dwo la
e jya la
mi li du
da lyan bu jya
di li la ja
bi li shai jr jya
sa pe na jyu la
sz yin chye bi
jye la li yau cha
dan la chu
mwo la shr
fei di shan
swo pi shan
syi dan dwo bwo da la
mwo he ba she lu shai ni shan
mwo he bwo lai jang chi lan
ye bwo tu two
she yu she nwo
byan da li na
pi two ye
pan tan jya lu mi
di shu
pan tan jya lu mi
bwo la pi two
pan tan jya lu mi
dwo jr two
nan
e na li
pi she ti
pi la ba she la
two li
pan two pan two ni
ba she la bang ni pan
hu syin du lu yung pan
swo pe he.

Sahasrara 07

Sahasrara

This is your ‘connection with god’ this is the highest expression and the merging of Kundalini with Shiva. The sate described here is very much the way Buddhists describe enlightenment. The illusion of your ego is now understood, and all those psychological issues we have been talking about are desolved. You are now liberated.

Over stimulated: developing the ego/god ‘complex’, an inability to deal with the mundane.

Under stimulation: (more common) this is when you feel disconnected with people and your spirit and even god/universe. You are now separate from the divine, and usually a materialistic greed will ultimately manifest.

Location: crown of the head
Bija Mantra: aum
Seed Letters: recitation of the all the bija mantras
Plane: Truth and Reality

The Deities, there is no specific for this chakra, though some would say Brahma.

-

Anja 06

Anja
To Know or To Command

This chakra, your ‘third eye’ is associated with the part of your mind that is beyond the subtle elements, in general this means ‘consciousness’. This is a place of neutrality and balance, where you can see beyond your ‘normal’ two eyes. This is ‘true’ knowledge, where ‘power’ emanates from. The insights gained from working with this chakra are the understanding of the past, present and possible future. Once attained it represents one of the highest states of awakening.

There are only two petals and because this chakra represents a higher state the psychological states are not defined.

The Aspects of your chakra
Overactive: your thoughts get scattered and move very quickly, sometimes making no sense, this prevents serious meditation. It can also move toward arrogance and the blurting out of ‘perceived’ knowledge just for the sake of doing so. Also it’s like getting bombarded with the thoughts of others, if it’s open enough. Also it can lead to ‘false prophets’ or a belief in anything esoteric whether grounded or not.

Under active: lack of understanding, in general especially in the realm of that which is spiritual and healthy. This can also affect your memory; cause your judgment to be impaired and headaches.

List of Correspondences
Location: between the eyebrows
Bija Mantra: Sham
Seed Letters: (on the petals) hang. Kshang
Plane: Plane of Authority

The Deities:

Ardhanarishvara: shiva-shakti: Balanced polarity. In this photo we see a culmination of all the symbols we have covered previously, also to include the standing on the demon. This is to overcome your lower/base self in order to ‘rise’ spiritually.

Mantra:
Prapanca srsty unmukha lasyakayai
Samasta samharaka tandavaya
Jagaj jananyai jagad eka pitre
Nama sivayai ca namah sivaya

She dances to create the world, wile he dances to wind it all up, She is the mother of the Universe, he is the only father. I bow down to Shiva and Shivani
(ardhanarishwara stortra)


Hakini Shakti with her many arms and heads give us the understanding of universal awareness of the male/female, light/dark, causing these ‘dualities’ to disappear and become one universal consciousness.


Yoga

This is for both the Anja and the Sahasrara Chakras. In doing the reaserch on this I found several ‘interesting’ postures, so since this is a beginner level; I would just suggest sitting lotus position with hands folded. Though I did find this picture, and really liked it so I will include it here.


http://www.yogabasics.com/search.html?searchword=seated+mudra&submit=submit&submit.x=0&submit.y=0
.

VIshuddha 05

Vishuda
Pure, Purification, Purity

The color is blue. The moon represents psychic energy; also represent purity.

This is the cosmic sound, your psychic energy, cleiravoyance, clairaudience aka communication with out words. Through this chakra, all the elements of the lower chakras, either, water, fire and air become pure. This is also the chakra of speech and communication; this is how the divine expresses itself, through language.

Psychological States: Are rather esoteric in nature, so far I have only found Sanskrit names for them, most of which have to do with mantras.

Problem Arias:
Too much energy: causes us to speak with out thinking. Our words are affectations and powerful, its an easy thing to forget. Another symptom is that one talks so much one doesn’t remember to listen to others. Also the ‘way’ one speaks is affected, exaggerating even to the point of lying, speaking harshly and abusively. Being overly critical.

To little energy: being silent when one should speak up, or just withdrawing into a non communicative state, the inability to express yourself. .
List of Corrispondances

Location: base of the neck
Bjia Mantra: Ham
Seed Letters: am, aam, im, eem, um ,oom, rim, rdim, lim, llim, ehm, aim, ohm, aum, ang, ahang.
Element: Eather
Shape: Crescent
Plane: Human Plane
Sense: Hearing
Organ: Ears


Deities


We have a couple of new symbols here, we have the heads which represent the five senses, and the meshing of them all. A divine untion, his drum (an old symbol) creates the sound of Om. His mala, links the physical body with the spirit to divine knowledge.

Guru Mantra

GURUR BRAHMA,
GURUR VISHNU,
GURUR DEVO MAHESHWARAH
GURUR SAAKSHAAT PARA-BRAHMA,
TASMAI SHRI GURUVE NAMAH.

The Guru is Brahma (The God of Creation)
The Guru is Vishnu (The God of Sustenance)
The Guru is Shiva (The God of Annihilation)
My Salutation to such a Guru, who is verily the Supreme God





The symbolism of Shakini is the elephant staff, it controls the holy scriptures.

The animal of this chakra is the elephant, which represents understanding and intelligence.

Yoga Practice:

Matsyasana; the fish

Anahata 04

Anahata
Unstuck or Unstruck Sound


Here we have twelve green petals and two overlapping triangles. The one facing upward represents Lord Shiva the downward represents Shakti. This is an attained balance leading toward harmony.

The psychological states are: lustfulness, fraudulence, indecision, repentance, hope, anxiety, longing, impartiality, arrogance, incompetence, discrimination and finally being on the defensive.

This is where your emotional balance resides. When open you loose the attachment of the material. When this chakra is open you no longer need the acceptance of others and are able to drop all manner of psychological problems due to ‘acceptance’ or ‘rejection’. This chakra encompasses the aria of spiritual love, and when you have spiritual love you no longer ‘need’ it from an outside source.

Problem Arias:
When there is ‘too much energy’ your emotions tend to go into over active ‘blind faith’ and have a tendency to ‘fall in love’ at the drop of a hat, also this leads to smothering and stalking. Blind devotion is also a result, and even though it ‘can’ be a good thing, when you fail to use logic, these things are very negative.

When there is not enough energy this leads to closing yourself off from people, also it causes us to be apathetic, however, it can also cause one to be clingy, and be over obsessive in regards to gaining acceptance.

List of Correspondences

Location: above your heart
Bija Mantra: Yang
Seed Letters: (right to left) Kang, khang, gang, ghang, nang, chang, chang, jang, jhang, nang, tang, thang
Element: Air
Shape: hexagram
Plane: Balance
Sense: Touch
Organ: Skin

Deities



Here we have the symbolism we have come to know, the trident (power) the drum (creation/destruction/rhythm of the universe) Sitting on the tiger skin (sublimation of the ego) Least we not forget the ganga flows from Lord Shiva’s hair.


Om Tryamlakam Yajamahe
Sugandhim Pusti - vardhanam |
Urva - rukamiva Bandhanan
Mrtyor - muksheeya Ma - amritat ||

Meaning:
Om. We worship The Three-Eyed Lord Shiva who is fragrant and who increasingly nourishes the devotees. Worshipping him may we be liberated from death for the sake of immortality just as the ripe cucumber easily separates itself from the binding stalk.


http://www.mahashivratri.org/maha-mrityunjay-mantra.html

Jai Shiv Onkara Har Shiv Onkara,
Brahma Vishnu Sadashiv Arddhagni Dhara.
Om hara hara Mahaadevaa...
Meaning: Glory to you, O Shiva! Glory to you, O Omkaara! May Brahma, Vishnu and the assembly of other gods, including the great Lord Shiva, relieve me of my afflictions!

Ekanan Chaturanan Panchanan Rajai,
Hansanan Garudasan Vrishvahan Sajai.
Om hara hara Mahaadevaa...
Meaning: Being the Absolute, True being, Consciousness and Bliss, you play the roles of all the three Gods - Brahma, Vishnu and Shiva. As Vishnu, you have but one face, as Brahma four and as Shiva five. They gladden the sight of all who behold them. As Brahma you prefer the back of the swan for your seat, as Vishnu you like to ensconce yourself on the back of Garuda (A large mythological eagle - like bird believed to be the vehicle of Lord Vishnu) and as Shiva you make the sacred bull your conveyance; all these stand ready. O Great Lord, pray rid me of my afflictions!

Do Bhuj Char Chaturbhuj Das Bhuj Te Sohai,
Tinon Roop Nirakhta Tribhuvan Jan Mohai.
Om hara hara Mahaadevaa...
Meaning: As Brahma, you possess two arms, as Vishnu four and as Shiva (Dashabaahu) ten, all of which look matchlessly lovely. No sooner do the inhabitants of the three spheres behold you than they are all enchanted. O great Lord Omkaara, pray rid me of my afflictions.

Akshaymala Vanmala Mundmala Dhari,
Chadan Mrigmad Sohai Bhale Shashi Dhari.
Om hara hara Mahaadevaa...
Meaning: You are, O great Lord Omkaara, wearing a garland of Rudraaksha, another of forest flowers the third of skulls; your forehead, glistening in the moonlight which it holds, is smeared with sandal-paste and musk. Pray rid me of my afflictions.

Shvetambar Pitambar Baghambar Ange,
Sankadik Brahmadik Bhootadik Sange.
Om hara hara Mahaadevaa...
Meaning: O great Lord Omkaara, your body is attired in white and yellow silken clothes and in tiger skin, while in your company are troops of goblins, gods like Brahma and divine seers like Sanaka. Pray rid me of my afflictions.

Kar Men Shreshth Kamandalu Chakra Trishooldharta,
Jagkarta Jagharta Jag Palankarta.
Om hara hara Mahaadevaa...
Meaning: O great Lord Omkaara, you hold akamandalu (the mendicants water-jar) in one of your hands and in another a trident; you bring joy to all, destroy all distress and sustain the whole world. May you rid me of all my afflictions!

Brahma Vishnu Sadashiv Janat Aviveka,
Pranvakshar Ke Madhye Yah Tinon Eka.
Om hara hara Mahaadevaa...
Meaning: The ignorant (unwise and stupid) know Brahma, Vishnu and Shiva as three individual gods, but they are all indistinguishably fused into a single mystic syllable ‘OM’. Pray rid me of my afflictions.

Trigun Shiv Ki Aarti Jo Koi Nar Gave,
Kahat Shivanand Swami Manvanchhit Phal Pave.
Om hara hara Mahaadevaa...
Meaning: Says Swami Shivananda, “He who recites this Arti to the Lord of the three gunas-sattva, rajas and tamas - attains fulfillment of his heart’s desire”. O great Lord Omkaara, may you rid me of my afflictions.
(same link)


Lakini Shakti
She is holding that which is necessary to attain balance, the sword which cuts through obstacles that block higher energy flow, the shield to protect from worldly problems, the skull for detachment from material concerns, the trident here represents balance between preservation, creation and destruction.


The gazelle reflects the impermiance of the physical.

Yoga Practice:
Ushtrasana – The Camel

Manipura 03

Manipura
Jeweled City or City of Jewels
Its color is yellow with ten petals. The triangle is the seat of fire within your body.

The psychological states are: spiritual ignorance, thirst, jealousy, treachery, shame, fear, disgust, delusion and foolishness.

This is the place of your personal/ psychological power and will sits. This is also your vitality as a result it is related to your immune system and general health. This chakra, in eastern philosophy is also called the Tan Tien and is believed to hold your ‘physical body’ and is the resting place of your chi. In a sense, this is how you assert yourself.

Problem Arias:
When there is to much concentration of energy this can make a person overly stubborn and willful not to mention closed minded. It over inflates your ego leading to arrogance. Pulse, you have a tendency to overestimate your own physical capabilities and end up overexerting yourself. This energy will burn out quickly and leave you exhausted and drained.

When there is too little energy, one gets lethargic and apathetic. Your self confindance lacks and you find that you are easily dominated.

List of Correspondences:
Location: solar plexus, above the navel
Bija Mantra: Ram
Seed Letters: (on the petals right to left) dang, dhang, nang, tang, thang, dang, dhang, nang, pang, phang
Element: Fire
Shape: Triangle
Plane: Celestial
Sense: Sight
Organ: Eyes

Deities

Presiding Deity: Braddha Rudra (Elder Shiva)

-
Braddha Rudra is a destructive aspect of Lord Shiva. The Tiger represents ‘the mind’. The trident is a symbol of power.

This particular image of Lord Shiva is his ‘wrathful’ form. This tiger represents the mind mired in desire.

Nataraj Mantra:
(Im using this mantra primarily because Nataraj dances to destroy the universe)

Natarj, Nataraja, jai shiva shankara nataraja

(this mantra is his names)

You could also use

Jai shiva shankara boom boom hare hare
( the boom boom represents the destructive aspect)

His energy is Lakini Shakti


The things she is holding are : the arrow that Lord Kama used, a thunderbolt, fire and finally her last hand is making the gesture of granting boons and removing fear, this is called mudra.

The Vehicle: The Ram. The ram represents power strength and vitality.


Yoga Practice:

Dhanaurasana- The Bow
This posture massages your solar plexus and helps with your digestion.

Svadisthana 02

--------------
Svadisthana
Sweetness or One’s Own Place

The svadisthana has six petals, the petals themselves are supposed to be white. The relationship between the moon and water is symbolized here with the crescent with in the circle.

The psychological states of the petals are as follows--------------------------------------: affection, pitilessness, destructiveness, delusion, disdain and suspicion.

This is where the subtle energy behind sexual impulses reside. When we get to the ‘sexual’ aspect it goes hand in hand with the ‘creation’ aspect as well, with things such as anything mental or physical that you may want to ‘create’ aka art/music/ writing, building. So we go from propagation of the species and survival to creation on all its levels. This brings us to enjoyment and celibacy. Many wonder just what celibacy is ‘for’? Many religions support the idea because you channel this energy into your higher consciousness. However, if the practitioner is not ready to raise this energy, it causes all manner of issues and problems. Not everyone is able to do this, let alone understand why they should.

Problem Arias:
Preoccupation with sex and sensory pleasure; such as promiscuity and nymphomania. Any kind of overindulgence is covered here from basic materialism (greed). This can lead to being overtaken by ‘fight or flight’ philosophy, aka domineering others. A deficiency leads to lack of a sex drive or impotence, creative block, depression. These imbalances can actually be caused by having a preoccupation with sex, or when one develops guilt issues from experiencing any kind of pleasure. Also extreme self denial can be a destabilizer. Lastly puberty can have effects on this chakra.

List of Correspondences
Location: Between the pubis and the navel
Bija Mantra: Vam
Seed Letters : (on the petals) Bang, Bhang, Mang, Yang, Rang, Lang
Element: Water
Shape: Circle
Plane: Astral
Sense: Taste
Organ: Tongue

The Deities
Presiding Deity: Lord Vishnu of Preservation.


The symbolism of Lord Vishnu, the lord of preservation: His arms have several different meanings in and of themselves. The quest for knowledge, positive family life, meditative retreating, renunciation, duty and virtue, material success, pleasure, sexuality, enjoyment and Liberation.

He holds a conch, which symbolizes the primordial creative voice and is associated with the sacred sound of Om. He holds a discus which symbolizes the chakras, and like thoughts flow faster than the wind. The lotus sprang out of his navel, and it is identified with the sun, and creativity and fertility. The lotus also represents Laxmi, his constant companion and the feminine force that activates creative power. The lotus also signifies detachment. The Mace represents the power of time. Nothing can conquer time, and like time, the mace will destroy all those who appose it.

Shree Vinshu Mantra


SHAANTAAKAARAM
BHUJAGASHAYANAM
PADMANAABHAM SURESHAM
VISHWAADHAARAM
GAGANASADRASHAM
MEGHAVARNAM SHUBHAANGAM
LAKSHMIKAANTAM
KAMALANAYANAM
YOGIBHIRDHYAANAGAMYAM
VANDE VISHNUM
BHAVABHAYAHARAM
SARVALOKAIKANAATHAM

I bow to Lord Vishnu the one Master of the Universe,
Who is ever peaceful, who reclines on the great serpent bed,
from whose navel springs the lotus of the creative power,
who is the supreme being, who supports the entire universe,
who is all-pervading as the sky, who is dark like the clouds and
has a beautiful form; the Lord of Lakshmi, the lotus-eyed one,
whom the yogis are able to perceive through meditation,
He, who is destroyer of the fear of samsara.


His energy is Rakini or Chakini Shakti

She has two heads, holds an arrow, a skull a drum and an ax

The two heads represent a loss of unity, this is the root of imagination / inspiration. The arrow is another dualistic symbol, this is also used by Kama, this is ‘desire/love’. The symbolism of the drum is rather straight foreword as it is rhythm. The ax is the energy to overcome obstacles; the skull is similar to saying ‘you wear your heart on your sleeve’.

The Vehicle: Makara

The motion of the crocodile represents not only the sensuous nature of a person, but trickery as well. It is know for its strength and sexual power and manipulative nature. o
Yoga Practice:
BHUJANGASANA: The Cobra



http://www.indif.com/nri/mantras/vishnumantra_01.asp
http://auriol.free.fr/yogathera/chakras/svadisthana/sld011.htm
http://www.exoticindiaart.com/product/HT33/

Ch1 Muldahara

Muladhara - Foundation



This is your seat of kundalini. This is the root of your existence. It is right there at the base of your spine. . That square shows where your kundalini is seated in its unmanifested state. The square itself is earth, the four directions and dimensions. Your body is your physical vehicle and understanding this chakra, the negative and positive attributes allows for completion on all levels.

Earth itself is the densest aspect of manifestation.
Each petal refers to a psychological state; greatest joy, natural, pleasure, delight in controlling passions, and blissfulness in concentration.

Let’s take a look at the aspects seated in this chakra.
On the very basic level its survival, this can turn very quickly from 'taking care of things' to over aggression and greed. For example this is where your fight or flight / survival instincts reside.

Now imagine the imbalances, too much energy here will make you lazy and board with life. It will also cause a nice dose of insecurity regarding your physical body, which leads to all kinds of issues from weight disorders and unhealthy self concept... the over indulgence of food or exercise... you must look 'perfect'

Too little brings us, of course back, to the depression. You loose your excitement with life and become apathetic. More weight issues. Some annalistic behavior, when you don’t care about your own preservation/safety.

List of Correspondence:
Location: Base of the spine
Bija Mantra: Lam
Seed letters (on the petals): Vam, Sham, Ssam, Sam
Element: Earth
Shape: square
Plane: Physical Plane
Sense: Smell
Organ: Nose
The Deities:


Presiding deity Brahma: the lord of creation.

Brahma (divine knowledge) He holds a lotus flower which is a symbol of purity. The scripture is held to show the importance of learning and understanding. The vase he is holding contains the nectar of vital potency. His fourth hand is the Abhayana mudra: the gesture of dispelling fear.
This is a mantra for brahma
om prajapate na tvad etany anyo
visva jatani parita babhuva
yat kamas te juhumas tan no astu
vayam syama patayo rayinam








Indra (associated with the earth aspect) is the king of the gods and ruler of the heavens. He is the god of thunder and rain, lighting and a warrior, a symbol of courage and strength. His mount is the elephant Airavata and he also has a golden chariot drawn by ten thousand horses. He is as quick as the wind and carries a hook, sword, conch, noose, a rainbow and the much feared magic weapon Vaijra. There were times when Indra lost control over the heavens to the demons. So he became always watchful to destroy any man or demon that became too powerful.
This is a mantra for Indra:
yasman na rte vijayante janaso
yam yudhyamana avase havante
yo acyuta-cyut sa janasa indrah


The energy, or shakti, of Brahma is called Dakini. She holds a skull, a sword, a shield and a trident. These symbolize the forces of the creator, the preserver and the destroyer.


The chakra's associated animal is Ganesha, the elephant headed god. Ganesha is the lord of all beginnings and is invoked to bestow protection over all undertakings.
He has four arms to serve him while he acts as the destroyer of obstacles, lord of wisdom.

Ganesha is the son of shiva and parvati. He holds a ladu (a fragrant sweet symbolizing sattva, the most refined state of pure consciousness), a lotus flower, a hatchet. The fourth hand is raised in the mudra of dispelling fear.

Om gum ganapataya namaha

Yoga Practice


BANDHASANA or BRIDGE

If you like using incense, cedar is recommended.

Intro To 7 Chakras

Introduction to the 7 Chakras


-------


Basic Explanation
Elemental Correspondence
Body and Organ Correspondence
Deities
Effects of Imbalance
Mantras
Meditations
Yoga Postures




What Are Chakras?

Chakra, pronounced with a hard ‘ch’ sound is a Sanskrit word meaning ‘disk’ or ‘wheel’. These ‘disks’ or ‘wheels’ are centers of energy that are located along the spine. Each vibrates at a certain lever therefore; an aspect of the color spectrum is associated with each one. The chakras regulate the energetic field of your body and psyche. An imbalance can cause not only health issues, but psychological ones as well. A good balance improves health and emotional / psychological stability. In light of that, it is easy to understand why understanding and maintaining your chakras is important.

Your chakras help you examine the various aspects of your life so that you can discover and even pinpoint problems and fix them. If your chakras are blocked it dampens your spiritual energy not to mention progress, it further distances you from your divine source. Your chakras are your spiritual progression, from basic survival to reunion with Brahman, the divine.

Your chakras are not stagnant energy centers; they are swirling with movement, which makes it easy to understand why they would be called ‘wheels’. It’s important to be mindful of this movement whether it is slow or fast as like the above mentioned blocks, this can also affect your emotional and physical life.

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The Chakras
Within each chakra is a shape, deity concept, bija mantra and mantras for each petal.
In order to work with and understand each chakra it is necessary to have a basic understanding of the correspondences. In each lesion we will follow an outline that starts off with the name and the English translation of that name. There will be a short list that explains the body and organ functions. These may not agree with most western though of what an ‘organ’ is, the purpose of these lesions is to take from the original Hindu teachings.
We will discuss what happens when the chakra is blocked, or closed and how this affects not only your emotional well being but your physical health. Because there are deities associated within each chakra we are also going to discuss briefly each deity, the meaning with their symbolism and mantras for the deity.
Mantras can be described as ‘prayers’ or energetic recitations. They will be in Sanskrit. As chakras themselves operate on a vibrational level, it is important to use and understand the concept that the language of Sanskrit also works on a vibrational level, to use any other language other than the Sanskrit will not assist with fine tuning the vibration of each chakra. The mantras and their associations with each deity will strengthen and purify each chakra. The mantras are meant for improving the vibrational aspect. Each chakra itself has what is called a bija or seed mantra, when one begins working on balancing and cleaning the chakras it is important to know the bija mantra and to chant it as well as the bija letter on each petal.
Yoga and the Chakras:

For those interesting in a more serious and challenging practice I will include the yoga posture. Yoga is an important practice that also balances the body and the mind. I will include an outline and picture of each pose. These will be taken from the website : http://www.abc-of-yoga.com/yogapractice. It has an outline of how to get into the postures and a player to show you how.

Before one begins practicing yoga postures it is good to be in the proper mindset. Sit, eather cross legged or lotus. Breathing is important, it helps empty the clutter of your mind and retain your focus. You should breath in deeply from your diaphragm through your nose and clear your mind. I suggest taking a few minuts with this in order to get centered.

The Guayatri Mantra is to be said before starting the actual postures:




The sites I chose are ones that agree with the Elders who teach me.
“Gayatri Devi is an incarnation of Saraswati Devi, consort of Lord Brahma, symbolising the "shakti" (strength) and "dev" (quality) of Knowledge, Purity and Virtue. Saraswati Devi is held to be the patronness of the Arts, being a poet and musician, as well as skillful composer. In the form of Gayatri Devi, with the blessings of Lord Brahma, she is believed to have given the four Vedas to mankind.
Gayatri is depicted seated on a lotus. She is depicted with five faces representing the pancha pranas /pancha vayus(five lives/winds): prana, apana,vyana, udana, samana, of the five principles/ elements (pancha tatwas) earth, water, air, fire, sky (prithvi, jala, vayu, teja, aakasha). She has 10 hands carrying the five ayudhas: shankha; chakra, kamala, varada, abhaya, kasha, ankusha, ujjwala utensil, rudrakshi mala.

Gayatri, Savitri and Saraswati are three goddesses representing the presiding deities of the famous Gayatri mantra chanted thrice a day. Gayatri is the presiding deity of the morning prayer and rules over the Rigveda and the garhapatya fire. Every grihasta (householder) was expected to keep 5 or 3 sacred fires ( Five fires: ahavaneeya, dakshagni, garhapatya, sawta, aavasadha.) in his house to perform Vedic rituals.”


This is the Gayatri Mantra in Sanskrit.
Om bhoor bhuvassuvaha,
Tatsa Vitur varenyam,
Bhargo devasya dheemahi,
Dheeyo yonah prachodayat
This is how to pronounce it. Most hindu websites offer free mp3 for mantras, feel free to use your favorite search engine should you wish to hear it.

“Gayatri mantra is meant for realization of God and is regarded as representing the Supreme Lord. It is meant for spiritually advanced people. Success in chanting it enables one to enter the transcendental position of the Lord. But, in order to chant the Gayatri mantra, it is necessary for one to first acquire the qualities of the perfectly balanced person in terms of the qualities of goodness according to the laws of material nature. The Gayatri mantra is considered to be the sonic incarnation of Brahman and is regarded as very important in Vedic civilization.
Gayatri Mantra (the mother of the vedas), the foremost mantra in hinduism and hindu beliefs, inspires wisdom. Its meaning is that "May the Almighty God illuminate our intellect to lead us along the righteous path". The mantra is also a prayer to the "giver of light and life" - the sun (savitur).
Oh God! Thou art the Giver of Life, Remover of pain and sorrow,The Bestower of happiness,Oh! Creator of the Universe,May we receive thy supreme sin-destroying light,May Thou guide our intellect in the right direction.
Chanting of Gayatri Mantra removes all obstacles in our path to increased wisdom and spiritual growth and development. The teachings and powers incorporated in the Gayatri Mantra fulfill this purpose. Righteous wisdom starts emerging soon after Jap(recitation) of the Gayatri Mantra is performed.
The Gayatri Mantra is based on truth. For truth is based on strength. Strength is breath, and is based on breath. So, Gayatri protects (tra) the wealth (gaya) (the breath!) of those who speak it with earnestness and devotion. When one recites Gayatri on behalf of someone, it protects that person's breath too!
This entire creation is Gayatri. And the Gayatri is speech - for speech sings (gayati) and protects (trayati) this entire creation. Gayatri indeed is all this, whatever being exists. Speech indeed is Gayatri; for speech indeed sings and removes fear of all this that exists.”
Taken from the following website
http://spirituality-meditation-yoga-pictures.blogspot.com/2008/08/free-wallpapers-gayatri-best-pictures.html
The rest of the content of these lesions are taken from the following sorces:
My yoga instructor
The Local Vishnav and Shakti Elders and Practitioners
http://members.tripod.com/~kira_lis/chakra1.html
http://www.kheper.net/topics/chakras/Muladhara.htm
http://www.tantra-kundalini.com/muladhara.htm
http://www.abc-of-yoga.com/yogapractice/thebridge.asp

Basic Chakra

base of the spine - physical existance, physical reativity and survival. When blocked : fears and lack of energy  -- reproductive

On spine near splean - transformation of lower vibrational energy into higher types of energy. Blocked: the ability to balance your life will be affected.

Solar Plexus - raw emotions, esp anger and frustration. Intuition and gut feelings. blocked: uncontrolled emotions, inability to tap your intuition, tenseness, tummy problams, Very sensitive esp to emotions projected by others.

Center of Chest - unconditional spiritual love, comassion, empathy, awairness of the 'universal ba'. Blocked: self hatred, distrust of others and no understanding of universal oneness, unbalance btw cold intelect and physical desires.

Bottom of throte near the thyroyd - seat of communication, balancer of yin and yang, creativity, clairaudience, abstract creativity. Blocked: sharp tongue, closure to the new or unusual, self righteous and a closed mind.

3rd eye - affects clear seeing and psychic perception in all its forms.

Crown of your head. Pinal gland. The last to open. Direct connection to the God/Goddess energy. Syncronises all others, intigrates all polarities. Affects developement of psychic abilities and the spiritual.

The Divisions of The Soul

I did some traveling around the net looking for what people say on this topic. My information is coming from Rosemary Clark's book Sacred Tradition of Ancient Egypt, or Sacred Magic of Ancient Egypt. It's interesting that you will generally find from 5 to 9 divisions. Many people like to stick with seven, as 7 is an important numerical correspondence. The most interesting thing I found so far, was from a person, who, like me read the works of Ra Um Nefer.

Like Dr. Muata Ashby, Ra Um Nefer notices the consistencies between Hinduism, Buddhism and Neterism. I didn't really start noticing the big picture untill I started studdying Hinduism, and then went back through many of my books and realised that several authors, especially the two above cited Hindu and Buddhist works. Also, I want to point out that Swaller De Lubucz noticed this as well, and is usually cited in many works regarding Ancient Egytpian Tradition aka Neterism.

This persons sources include Ra Um Nefer and Gerald Massey which I think is a bit scetchy myself. Ra Um Nefer had a habbit of quoting from Swaller De Lubicz works word for word, but did not cite him in his bibliography (or I just missed it) I happen to have all but two of de Lubicz published works, which is the only reasion I noticed it. Im sure he could have been quoting from John Anthony West, who is quite familiar with de Lubicz's works, but it still rubbed me the wrong way, because when I say word for word I mean it. I may be over critical, he could have just been quoting Serpant in the Sky which was sited in his bibliography. As for Gerald Massey, I have no opinion of either way. I never read his works. He isnt on my reading list of 50 or so Egyptologists. (neither was R.A.Schwaller de Lubicz... or Barbera Mertz but they are very knowledgable and their writing style is engrossing)

As a spiritual healer one comes across fragmented and shattered souls quite often. You could hit your head on a really big rock and fragment yourself. Its really not hard to do. Of course any kind of trauma will do this, physical or psychological. I doupt they always shatter allong the proper divisions, however the concept still leads me back to them.

In the books by rosemary Clark and in the book of coming forth by day, there is an agreement of the divisions, so that is my basis. The Book of Coming forth By Day is the actual name for the book of the dead.



The Khaibit is the shadow of the elemental world. A mirror image of the body, animal or elemental.

The Khat, physical form. that which decays. This is the vessel of your Ka.

The Ka
double-etheric body. both ntr and humans have one or seven.... it carries the imprint of the body, so if you are astrally traveling... then that is what part of you it is. This is the immortal part. It is also intelligent and tends to remember all the different people its been. hence how there is no such thing as reincarnation, but at the same time... there is... as it is the Ka that does this, but the ka isn't the only part of the soul which affects you while you are living... there are other facets involved, so in a sense its not the same person as last life time as it is ever fluid and changing. Just like due to kensho you are no longer the person you were two years ago.... yet you are....

EVERYTHING living possesses a KA, this does include plants, animals, temples, idols, your pc (REI) the earth itself and all that is on it, the stars, the rocks on Stonehenge..... the fish eyes in my soup...

BA-- your personal soul. or your 'ghost' astral body. The Ba can transmigrate and do remote viewing. This is the part that likes to go for walks ... I swear it wanders all over the place... so if you have weird dreams and are told you are remote viewing or if you see things in dreams that actually happen, then this is your BA. They used to have lots of ambulates to call it back (talk about fragmented soul) cause it has a tendency to wander and not return until its called. This is your short attention span....

The Ab -- or heart soul. this is where all your materialistic passions are. It is the samurai part.... (just can't leave that shit alone) for example here is where your conscience desires, honor, dignity and truth are here. your life memory is here as well. Your Ab determines what kind of incarnation you will have next or if you return to Ntr. Also it determines whether you are so vile that you are eaten by Ammit to later be recreated in the Tepi-aui-Un ...ect ect.

The Akh-- the light of soul type thing... your spiritual intelligence. Imperishable and transcends time and space. So this thing is directly connected to Ntr Ntru or you can say Akashic record. This is you as a 'being of light'

Djed - speech. or hku. hmm my comment would be to say it is partially your Ari/ karma (Im not sure I used the correct word there) and you as Ntr. As all was created through the Hku of Djehuti we are all the hku, therefore we are Ntr.

The Sahu. The Origin of ALL spirits. I would say this is a connection to the primordial ooze in which we all originate



Skhem - the vital force. personal will.

Sa- your life force.



Since the soul can shatter and fragment on its own and there are all those different divisions of it (and no, I don't quite understand all that as of yet) I'm sure that we ourselves can fragment to go a roving... or get stuck in our own created hell.


ok Now for that seven devision thing. I found this Here:

http://tribes.tribe.net/601efff4-855d-4c2a-aef4-dd420199f785/thread/273b02ef-5b31-4227-923a-ec9936eea575


it was a very interesting conversation, check it out !


The Muldahara Chakra -root of physical exsistance- basic survival instincts - Kab

The Svadhisthani Chakra - procreation, family and fantacy - khaibit

The Manipura Chakra -the will, the dantien- center of balance - Saku

The Anahata Chakra - balance of mind/soul/emotions/heart chakra - The Ab

The Vishuddha Chakra - communication - Sekhem

The Anja Chakra - third eye - khu

The Sahasrara Chakra- divine connection - Ba