The Egyptian Symbolism of Colours

( Extract from the book - "Heka - The Practices of Ancient Egyptian
Ritual & Magic by David Rankine -http://www. heka.co.uk/ egyptian_
magic/egyptian_ magic_colour. htm


The use of colour in Egyptian magic is of primary importance. To the
Egyptians, living in a largely bleak, desert landscape, bright and
vibrant colours were a way of enriching their lives. The Egyptian
hieroglyph for colour can also be translated as being, character,
disposition, nature or external appearance. This clearly illustrates
the significance of colour as being an essential and integral part of
the Egyptian worldview.
When depicting groups of people or animals, the Egyptians usually
alternated the colour on them, to give a sense of perspective. Hence
the colour will often alternate between two shades, light then dark,
in pictures of groupings.
The main colours used by the Egyptians were:

Black
Black (kem) was the colour of night, and of death. Black symbolised
the underworld, but could also symbolise resurrection, life and
fertility. In this respect black was interchangeable symbolically with
green. This association probably comes from the fertile black silt of
the Nile, deposited in its annual flooding and ensuring the fertility
of the land. Egypt itself was known as the black land (kemet). Black
was also interchanged with blue for representing the night sky.
Black was associated with funerary deities such as Anubis and Osiris,
interchangeably with green in the latter case. In the later Macedonian
and Ptolemaic periods black stones were used almost exclusively for
magical healing statues. Carbon from soot, charcoal or burnt animal
bones was used to produce black.

Blue
Blue (irtiu or khesbedj) was used to represent both the heavens and
the waters. Both these symbolisms are those of life and rebirth, the
eternal sky and the annual flooding of the Nile, which recalled the
primal flood of myths. Blue was also associated with fertility, as the
power of the fecundating Nile river, so vital for the crops the
ancient Egyptians depended on. As well as being interchangeable with
black for the heavens, blue was also interchanged with black as an
underworld colour.
Blue was associated with Amun-Ra, and sometimes with Osiris. Ptah,
Horus, Khnum, Re-Horakhty and Nuit were all often depicted with blue
bodies. The Eye of Horus amulets were most often blue, symbolising
their heavenly power. The blue pigment was formed by combining iron
and copper oxides with silica and calcium.

Green
Green (wadj) was the colour of growth and of life itself, a
life-positive colour seen in the plants that sustained the culture
through food, medicine and writing (the papyrus). To do green things
was a term used to describe good deeds.
In some early texts the afterlife is referred to as the Field of
malachite, and green came to be associated with resurrection through
the annual return of the green plants. Osiris as Lord of the
Underworld was usually depicted with green skin, and Hathor was also
associated with this colour. Copper oxide or malachite was used to
make the colour green for artwork.

Red
Red (desher) was seen as the colour of blood and fire, and could
symbolise life and regeneration. Red also represented the forces of
chaos, and dangerous powers outside of man's control. Red was
specifically associated with Set, as was red hair. Red also
represented the untamed vastness of the desert, and sometimes foreign
lands as dangerous places.
Red ink was used to write the hieroglyph for evil, and for the demon
or unlucky days. To do red things was to perform evil acts. However,
red was also used to depict Re, and the fierce radiance of the sun.
Red was used to colour the Eye of Re serpent amulet. The red colour
was created by using oxidized iron and red ochre.

White
White (hedj or shesep) was the colour of cleanliness, associated with
sacredness and ritual purity. Clothing, especially that of the
priesthood, was usually shown as white. This is well illustrated by
the Instructions of Merikare, where the term wearing white sandals is
used to describe being a priest. Many of the sacred objects were made
from white alabaster, and many of the sacred animals were also white,
such as oxen, cows and hippopotami.
White was also used interchangeably to describe silver, which was
sacred to the Moon. The crown of Upper Egypt was known as the White
crown, and white was the heraldic colour of southern Egypt. The god
Nefertem, whose symbol was the white lotus flower, often had his
statues made of silver, to illustrate his link with the colour white.
Chalk and gypsum were both used to give a strong white colour.

Yellow
Yellow (khenet or kenit) and gold were the colours of the sun, and
symbolised eternity and constancy. The ancient Egyptians believed the
flesh and bones of the gods were made of gold, and so it was a natural
progression to see yellow and gold as sacred colours, and to use gold
in the construction of statues of the deities. The Egyptians had
several sources of yellow, ochre and imported orpiment (arsenic
trisulphide) being the most commonly used.

Other Colours
Brown, grey, orange and pink were also sometimes used, but as only
secondary colours. Such colours were formed by adding white or black
to the primary colours, or mixing them accordingly.